Posts Tagged ‘Rebecca Norris Webb’

ALEX WEBB: SELECTIONS at Photo London

May 18, 2016
Alex Webb, Bombardopolis, Haiti, 1986, from "The Suffering of Light"

Alex Webb, Bombardopolis, Haiti, 1986, from “Alex Webb: Selections” at Photo London, Leica at Navy Board Room, Somerset House, thru May 22

LEICA BLOG: The photographs to be shown at Photo London encompass a great portion of your career, including the work comprised in three of your published books. How did you curate ‘Selections’?

ALEX WEBB: I simply chose some of my favorite images — including some of the same images Rebecca and I have hanging in our home in Brooklyn.

Read the rest of Leica’s Q&A with Alex here.

We hope to see some of you at Photo London from May 18-22, for our joint talk, “Slant Rhymes,” two weekend book signings, and Alex’s Selections exhibition at Somerset House in the Navy Board Room.  On Wednesday, May 18, starting at 1pm GMT, we are also pleased to be sharing the Instagram Takeover at Leica Camera, and fielding some of your questions from 2:30-3pm GMT that day @leica_camera.—Rebecca

 

ONLY A FEW SPOTS LEFT IN THESE TWO JUNE WORKSHOPS

—Finding Your Vision: Milan, a five-day workshop in Italy in June with Alex and Rebecca.  Follow this link to apply online.

—Finding Your Vision: London, a weekend workshop in June.  Follow this link to enroll online.

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FIRST WEBB WORKSHOP IN POLAND

March 31, 2014
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©Alex Webb from “The Suffering of Light,” Aperture and Thames and Hudson

“We do not really know what draws a human being out into the world. Is it curiosity? A hunger for experience? An addiction to wonderment? The man who ceases to be astonished is hollow, possessed of an extinguished heart. If he believes that everything has already happened, that he has seen it all, then something most precious has died within him—the delight in life.” ― the Polish writer Ryszard Kapuściński, one of Alex’s favorite writers

FIRST WEBB WORKSHOP IN POLAND JUST ANNOUNCED.  This four-day MAGNUM PHOTOS WORKSHOP will coincide with the FOTOFESTIWAL LODZ in early June.  Space is limited, and this workshop is expected to sell out rather quickly:

http://www.magnumphotos.com/C.aspx?VP3=CMS3&VF=MAXO31_3&VBID=2K1HZOQ8V31HKN&IID=2K1HRG5YYKK6&PN=31

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©Rebecca Norris Webb from “Memory City” (with Alex Webb), Radius Books, US, Thames and Hudson, Europe, June 2014

 

“Rochester, in upstate New York, has been the home of Kodak since the company’s start in 1888. When it declared bankruptcy in 2012, Alex Webb and Rebecca Norris Webb decided to use film made by the company to shoot the city. For the project, Webb used his last rolls of Kodachrome, the famous but now-discontinued film, developing it as hazy black and white since its special color process is no longer available. The results look like any struggling but hopeful city, quiet but proud.”—Rebecca Robertson, ART News

11 Edgy New Photo Books That Will Make You Look (and Think) Twice

ALEX AND REBECCA’S UPCOMING WORKSHOPS

—NEW WORKSHOP ADDED: FINDING YOUR VISION: SAN FRANCISCO, SAT. AUG. 23 THRU WED. AUG. 27, 2014, Intersection for the Arts, 925 Mission Street, San Francisco: For more information, please contact Alex and Rebecca:

webbnorriswebb@gmail.com

——Saturday May 3 thru Friday May 10, FINDING YOUR VISION, NEW YORK.

——DUE TO A CANCELLATION, THERE’S NOW ONE SPOT left in this annual May workshop. To apply, please contact Alex and Rebecca directly at this email:

webbnorriswebb@gmail.com

——Finding Your Vision @ FOTOFESTIWAL LODZ, POLAND, a four-day MAGNUM PHOTOS WORKSHOP, Sunday June 1-Wed. June 4th: http://www.magnumphotos.com/C.aspx?VP3=CMS3&VF=MAXO31_3&VBID=2K1HZOQ8V31HKN&IID=2K1HRG5YYKK6&PN=31

LINKS, REVIEWS, ARTICLES, AND MORE:

——Link to NEW YORK TIMES LENS blog Q&A with Jim Estrin & Alex and Mound Bayou slide show:

http://lens.blogs.nytimes.com/2014/02/07/alex-webb-looks-back-in-black-and-white/?smid=tw-share

——ALEX’S PHOTOGRAPHS FROM INDIA’S KUMBH MELA IN FEBRUARY 2014 ISSUE:

http://ngm.nationalgeographic.com/2014/02/kumbh-mela/spinney-text

 

Memory City in ART News

February 17, 2014
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©Alex Webb, “Dancehall, Lake Ontario, Rochester, NY, 2013,” from “Memory City” (with Rebecca Norris Webb), Radius Books, late spring 2014

“Rochester, in upstate New York, has been the home of Kodak since the company’s start in 1888. When it declared bankruptcy in 2012, Alex Webb and Rebecca Norris Webb decided to use film made by the company to shoot the city. For the project, Webb used his last rolls of Kodachrome, the famous but now-discontinued film, developing it as hazy black and white since its special color process is no longer available. The results look like any struggling but hopeful city, quiet but proud.”—Rebecca Robertson, ART News

http://www.artnews.com/2014/02/13/11-edgy-art-books-document-the-bizarre-bygone-and-adorable/

TO PRE-ORDER “MEMORY CITY” FROM RADIUS BOOKS (both trade edition and limited edition): 

http://radiusbooks.org/7430/alex-webb-rebecca-norris-webb-memory-city/

NEW WORKSHOP JUST ADDED: Finding Your Vision @ Fotografiska Museum, Stockholm, Saturday, June 7th-Wed. June 11, 2014:  http://fotografiska.eu/kurser/kurs/alex-webb-and-rebecca-norris-webb/

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©Rebecca Norris Webb, “Blue Secondhand Prom Dress, Rochester, NY, 2012,” from “Memory City” (with Alex Webb), Radius Books, late spring 2014

LINKS, REVIEWS, ARTICLES, WORKSHOPS, EXHIBITIONS AND MORE:

——Link to NEW YORK TIMES LENS blog Q&A with Jim Estrin & Alex and Mound Bayou slide show:

http://lens.blogs.nytimes.com/2014/02/07/alex-webb-looks-back-in-black-and-white/?smid=tw-share

——ALEX’S PHOTOGRAPHS FROM INDIA’S KUMBH MELA IN FEBRUARY 2014 ISSUE:

http://ngm.nationalgeographic.com/2014/02/kumbh-mela/spinney-text

——Saturday May 3 thru Friday May 10, FINDING YOUR VISION, NEW YORK.  ONLY ONE SPOT left in this annual workshop. For more information including how to enroll, please visit: 

https://www.magnumphotos.com/C.aspx?VP3=CMS3&VF=MAXO31_3&VBID=2K1HZOQ8HF290Z&IID=2K1HRG8E8ABS&PN=3

——Friday, Dec. 13 thru Feb. 22, 2014: BEFORE THE SHIFT: The Early Black-and-White Work of Alex Webb, Lynne Cohen, Martin Parr, and Stephen Shore at at the Stephen Daiter Gallery, Chicago; opening reception with Alex, Friday, Dec. 13, 5:30-8pm:

http://www.stephendaitergallery.com/dynamic/exhibit_display.asp?EventID=2&Exhibit=Currrent&ExhibitID=175

 

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©Alex Webb, “Mound Bayou, Mississippi, 1976,” reprinted in the NYTimes Lens Blog

TWO LOOKS: NYTimes, Nat’l Geographic

February 11, 2014
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©Alex Webb, Mound Bayou, Mississippi, 1976

Q. Jim Estrin, New York Times Lens Blog:

Had you ever been to Mississippi before? Was it similar to anything you had seen before or different?

A.  Alex Webb:

It was my first trip to Mississippi. I had photographed in some small towns in Alabama prior to visiting Mound Bayou; however, those towns were segregated — unlike Mound Bayou, there were no black town officials, no black police officers, and if there were black-owned businesses, they were in the black part of town.

Visiting Mound Bayou for the first time, I was completely unprepared for the intensity of the emotional experience of being welcomed and embraced by a culture so different than my own. I recall one moment when Ellie, the woman whom I first met at Smitty’s, suddenly turned to me, reached up and put her two hands on either side of my head and said, “I ain’t never touched the hair of a white man before.” Needless to say, as a young, white kid from Cambridge, Mass., I was stunned and deeply moved.

Link to read the rest of the Q&A with Jim Estrin and see the complete Mound Bayou slide show:

http://lens.blogs.nytimes.com/2014/02/07/alex-webb-looks-back-in-black-and-white/?smid=tw-share

ALEX’S PHOTOGRAPHS FROM INDIA’S KUMBH MELA IN FEBRUARY 2014 ISSUE:

 

 

 

http://ngm.nationalgeographic.com/2014/02/kumbh-mela/spinney-text

 

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©Alex Webb, Kumbh Mela in February 2014 issue of National Geographic Magazine

UPCOMING WORKSHOPS, EXHIBITIONS,  AND TALKS WITH ALEX AND REBECCA:

——Saturday May 3 thru Friday May 10, FINDING YOUR VISION, NEW YORK.  A few spots left in this annual workshop. For more information including how to enroll, please visit: 

https://www.magnumphotos.com/C.aspx?VP3=CMS3&VF=MAXO31_3&VBID=2K1HZOQ8HF290Z&IID=2K1HRG8E8ABS&PN=3

——Friday, Dec. 13 thru Feb. 22, 2014: BEFORE THE SHIFT: The Early Black-and-White Work of Alex Webb, Lynne Cohen, Martin Parr, and Stephen Shore at at the Stephen Daiter Gallery, Chicago; opening reception with Alex, Friday, Dec. 13, 5:30-8pm:

http://www.stephendaitergallery.com/dynamic/exhibit_display.asp?EventID=2&Exhibit=Currrent&ExhibitID=175

 

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©Rebecca Norris Webb, Junipers, from A Field Guide to Silence

A shelter

or a ship

these junipers?

 

A black bough flies into the night.

Now even the snow

is the shadow of an owl.

—Rebecca Norris Webb, from “A Field Guide to Silence”

BLOW Photo Magazine: Animal Issue

November 26, 2013
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Rebecca Norris Webb, Istanbul, 2003, from “The Glass Between Us,” in the special animal issue of the Irish BLOW Photo Magazine

Congratulations to Rebecca for having a selection of “The Glass Between Us” featured in the Irish BLOW Photo Magazine’s special issue about animals.  You can read the editor introduction to the issue here: http://www.blowphotomagazine.com/issues/issue-nine/  You will also find an excerpt from the magazine’s Q&A with her below.—Alex Webb

Blow: What did your experience making this series teach you about animals and about people’s relationships to them in cities?

RNW: In the U.S. alone, more people visit zoos than all paid sporting events combined, which is a startling and thought-provoking fact. Looking back at The Glass Between Us, I hope my exploration of this complex relationship between people and animals in cities helps to illuminate some of its many facets and, hopefully, begins to raise questions about zoos, aquariums, and natural history museums, and our need for them.

Some of the images in this series evoke the aestheticized surfaces — such as colorful, hand-painted murals or dioramas — that often seduce us when we visit these places.  Others suggest something darker lurking beneath the surface, such as the hint of violence or suffering, as in this photograph of an agitated lion pausing between rounds of his thunderous, insistent bellowing in his tight quarters at the Istanbul zoo.  Other photographs raise questions of identity  — that blurry boundary between human beings and animals — such as this somewhat abstracted image from a natural history museum in Turin.  At first glance, it looks eerily like a pregnant woman with a tail, when, in fact, it’s actually an antiquated giraffe specimen that’s been crudely sewn.

Yet, sometimes it’s a sense of wonder that my camera captures, such as this image of the two shy Muslim women mesmerized by the jellyfish at the Mystic Aquarium in Connecticut. Since this book focuses on the complicated relationship between people and animals in cities, wonder is definitely part of that complex equation.  “Wonderment never quite gets used to whatever it is looking at,” notes the critic Charles Baxter.

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©Rebecca Norris Webb, “Turin, Italy, 2003” from “The Glass Between Us” in the November issue of Blow Photo Magazine

Leica Store Miami/Artisan Obscura Scholarship

One tuition-free scholarship to attend the upcoming Finding Your Vision @ Leica Store Miami weekend workshop with Alex Webb and Rebecca Norris Webb, Jan. 17-19, 2014

Open to all photographers 18 and older, professionals and serious amateurs alike.  Work by all kinds of photographers will be considered — from art photographers to documentary photographers, from college students to seasoned professionals — the only stipulation being that none of the images submitted have been dramatically altered digitally.

Scholarship Application Opens: Friday, Nov. 15, 2013

Deadline: Friday, November 29, 2013

Notification of winner: Saturday, December 7, 2013 

JUDGES: MaryAnne Golon, Washington Post Director of Photography and photographers Maggie Steber, Alex Webb, and Rebecca Norris Webb

TO ENROLL:  Please submit the following materials to the email address — webbnorriswebb@gmail.com — and write WORKSHOP SCHOLARSHIP on the subject line.

A. In the email, please include the following as a single word doc:

1. Name and email

2. 100 word statement about your series or project

3. 100 word bio, which includes your photographic background and website or online link to your photographs

4. Two names and emails of references of people familiar with your photographic work, such as professors, workshop teachers, fellow photographers, editors, curators, publishers.

B. Additionally, in this email please also attach 10 small jpgs from one project or series, each image10 inches on the longest side, 72 dpi

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©Rebecca Norris Webb, from “Violet Isle” (with Alex Webb) at the Southeast Museum of Photography, Daytona, FL, thru Feb. 2, 2014
“Our landscapes contain every part of us, Webb seems to say, the broken and the whole.”—Scott Gast, Orion Magazine review of “My Dakota,” November/December 2013 issue

UPCOMING WORKSHOPS, EXHIBITIONS, AND TALKS WITH ALEX AND REBECCA:

——Friday Jan. 17 thru Sunday Jan. 19, FINDING YOUR VISION @ LEICA STORE MIAMI.  Places are limited in this new weekend workshop in Miami.  For more more information, including how to enroll, please visit: 

http://www.leicastoremiami.com/collections/workshops-classes-and-trips/products/alex-webb-rebecca-norris-webb-workshop-finding-your-vision-fri-sat-sun-jan-17-19-2014

——Saturday May 3 thru Friday May 10, FINDING YOUR VISION, NEW YORK.  For more information including how to enroll, please visit: 

http://www.webbnorriswebb.co/#mi=4&pt=0&pi=3

——Friday, Oct. 18, 2013 thru Feb. 2, 2014, “My Dakota” and “Violet Isle” at the Southeast Museum of Photography, Daytona, FL:

“Violet Isle”: 

http://www.smponline.org/ex_webb_violet.html#.Unzv1I3z0XQ

“My Dakota”: 

http://www.smponline.org/ex_webb_dakota.html#.UlVhFBZqN4Y

PUBLIC TALKS IN DECEMBER:  Tuesday, Dec. 3, at the Leica Store Miami and Thursday, Dec. 5th at the Miami Street Photography Festival

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©RNW, “Mystic, Ct.,” from “The Glass Between Us”

ICP/Magnum: Capa at 100

November 19, 2013
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©Robert Capa, 1942

“When I think of Robert Capa’s work, his classic photographs come to mind — the Spanish soldier, the D-Day landing, the mourning women in Naples — photographs of clearly defined moments of dramatic intensity.  They are also all black and white photographs.  So it was surprising for me to come upon this almost bucolic color image of cows placidly grazing in front of a U.S. bomber in Britain during the Second World War.   This juxtaposition of seemingly disparate elements — a quiet rural scene with the looming threat of violence in the background (after all, the plane is a weapon of mass destruction) — suggests the complicated and very human experience of life during a time of conflict.

Capa’s image brings to mind this scene I photographed some 20 years ago of a mirror vendor waiting on an isolated landing strip near the small town of Palmapampa during the conflict between the Peruvian military and the guerilla group Sendero Luminoso.”— Alex Webb

from Magnum Photos/ICP  #GetCloser100 Project, Day 28. http://getcloser.magnumphotos.com

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©Alex Webb, 1993, from “The Suffering of Light,” Aperture

Leica Store Miami/Artisan Obscura Scholarship

 One tuition-free scholarship to attend the upcoming Finding Your Vision @ Leica Store Miami weekend workshop with Alex Webb and Rebecca Norris Webb, Jan. 17-19, 2014

Open to all photographers 18 and older, professionals and serious amateurs alike.  Work by all kinds of photographers will be considered — from art photographers to documentary photographers, from college students to seasoned professionals — the only stipulation being that none of the images submitted have been dramatically altered digitally.

 Scholarship Application Opens: Friday, Nov. 15, 2013

Deadline: Friday, November 29, 2013

Notification of winner: Saturday, December 7, 2013 

JUDGES: MaryAnne Golon, Washington Post Director of Photography and photographers Maggie Steber, Alex Webb, and Rebecca Norris Webb

TO ENROLL:  Please submit the following materials to the email address — webbnorriswebb@gmail.com — and write WORKSHOP SCHOLARSHIP on the subject line.

A. In the email, please include the following as a single word doc:

1. Name and email

2. 100 word statement about your series or project

3. 100 word bio, which includes your photographic background and website or online link to your photographs

4. Two names and emails of references of people familiar with your photographic work, such as professors, workshop teachers, fellow photographers, editors, curators, publishers.

B. Additionally, in this email please also attach 10 small jpgs from one project or series, each image10 inches on the longest side, 72 dpi

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©Rebecca Norris Webb, from “Violet Isle” (with Alex Webb) at the Southeast Museum of Photography, Daytona, FL, thru Feb. 2, 2014

“Our landscapes contain every part of us, Webb seems to say, the broken and the whole.”—Scott Gast, Orion Magazine review of “My Dakota,” November/December 2013 issue

UPCOMING WORKSHOPS, EXHIBITIONS, AND TALKS WITH ALEX AND REBECCA:

——Friday Jan. 17 thru Sunday Jan. 19, FINDING YOUR VISION @ LEICA STORE MIAMI.  Places are limited in this new weekend workshop in Miami.  For more more information, including how to enroll, please visit: 

http://www.leicastoremiami.com/collections/workshops-classes-and-trips/products/alex-webb-rebecca-norris-webb-workshop-finding-your-vision-fri-sat-sun-jan-17-19-2014

——Saturday May 3 thru Friday May 10, FINDING YOUR VISION, NEW YORK.  For more information including how to enroll, please visit: 

http://www.webbnorriswebb.co/#mi=4&pt=0&pi=3

——Friday, Oct. 18, 2013 thru Feb. 2, 2014, “My Dakota” and “Violet Isle” at the Southeast Museum of Photography, Daytona, FL:

“Violet Isle”: 

http://www.smponline.org/ex_webb_violet.html#.Unzv1I3z0XQ

“My Dakota”: 

http://www.smponline.org/ex_webb_dakota.html#.UlVhFBZqN4Y

PUBLIC TALKS IN DECEMBER:  Tuesday, Dec. 3, at the Leica Store Miami and Thursday, Dec. 5th at the Miami Street Photography Festival

NEW WORKSHOP ADDED: Miami in January

November 11, 2013
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©Rebecca Norris Webb, from “Violet Isle and My Dakota” at the Southeast Museum of Photography, Daytona, FL, thru Feb. 2; also in “Together and Apart: The Photographs of Alex Webb and Rebecca Norris Webb” at the Leica Store Miami, which opens Dec. 3

FINDING YOUR VISION with Alex Webb and Rebecca Norris Webb

WEEKEND WORKSHOP @ LEICA STORE MIAMI, Friday evening January 17 thru Sunday afternoon  January 19, 2014

Do you know where you’re going next with your photography –– or where it’s taking you?  This intensive weekend workshop will help photographers begin to understand their own distinct way of seeing the world.  It will also help photographers figure out their next step photographically  –– from deepening their own unique vision to the process of discovering and making a long-term project that they’re passionate about, as well as the process of how long-term projects evolve into books and exhibitions. A workshop for serious amateurs and professionals alike, it will taught by Alex and Rebecca, a creative team who often edit projects and books together –– including their joint book and Museum of Fine Arts, Boston, exhibition, “Violet Isle: A Duet of Photographs from Cuba,” Alex’s recent Aperture book, “The Suffering of Light,” Rebecca’s new third book, “My Dakota,” and their upcoming joint book on Rochester, film and time, “Memory City.”

Included in the workshop will be an editing exercise as well as an optional photography assignment or long-term project review. 

Space is limited.  For more information and to enroll online: http://www.leicastoremiami.com/collections/workshops-classes-and-trips/products/alex-webb-rebecca-norris-webb-workshop-finding-your-vision-fri-sat-sun-jan-17-19-2014

WORKSHOP SCHEDULE:

––Friday: 7:00-8:30pm: “Together and Apart: The Photographs of Alex Webb and Rebecca Norris Webb,” Alex and Rebecca’s gallery talk/walk through of the exhibition @ Leica Store Miami followed by Q&A.  This event is open to the public.

––Sat. and Sunday:  9:30-5:30 pm: Workshop

©Alex Web

©Alex Webb, Havana, 2008, from “Violet Isle and My Dakota” at the Southeast Museum of Photography, Daytona, FL, thru Feb. 2

“Our landscapes contain every part of us, Webb seems to say, the broken and the whole.”—Scott Gast, Orion Magazine review of “My Dakota,” November/December 2013 issue

OTHER UPCOMING WORKSHOPS, EXHIBITIONS, AND TALKS WITH ALEX AND REBECCA:

——Saturday May 3 thru Friday May 10, FINDING YOUR VISION, NEW YORK.  For more information including how to enroll, please visit: 

http://www.webbnorriswebb.co/#mi=4&pt=0&pi=3

——Friday, Oct. 18, 2013 thru Feb. 2, 2014, “My Dakota” and “Violet Isle” at the Southeast Museum of Photography, Daytona, FL:

“Violet Isle”: 

http://www.smponline.org/ex_webb_violet.html#.Unzv1I3z0XQ

“My Dakota”: 

http://www.smponline.org/ex_webb_dakota.html#.UlVhFBZqN4Y

PUBLIC TALKS IN DECEMBER:  Tuesday, Dec. 3, at the Leica Store Miami and Thursday, Dec. 5th at the Miami Street Photography Festival

My Dakota: Reviewed in Orion Magazine

November 7, 2013
©Rebecca Norris Webb, "Ghost Mountain," from "My Dakota" in "Visions of Earth" column, National Geographic Magazine, April 2013

©Rebecca Norris Webb, “Ghost Mountain,” from “My Dakota” reviewed in the current issue of Orion Magazine, Nov./Dec. 2013

“If grief had a landscape, what shape would it take? Rebecca Norris Webb’s moving photographs of South Dakota, her home place, suggest the contours of such a shape, from portraits of an endless horizon to a close-up of a row of apples, bruised and scattered beside a country road.

Composed of 42 images and a few brief lines of handwritten text, My Dakota is both a monument to a place and an elegy for a person, the author’s brother, whose heart failed without warning in 2006.  The circumstances of loss find their way into this collection: there’s an urgent quality about those roadside apples and a suddenness captured in the taut muscles of a bird dog.  The most arresting of these photographs achieve their sense of alarm indirectly, or at least angularly, via a detail seen through a rearview mirror, a sliver of open curtain, a spill of light through trees.  Our landscapes contain every part of us, Webb seems to say, the broken and the whole.”—Scott Gast, Orion Magazine review of “My Dakota,” November/December 2013 issue

UPCOMING WORKSHOPS, EXHIBITIONS, AND TALKS WITH ALEX AND REBECCA:

——Friday Jan. 17 thru Sunday Jan. 19, FINDING YOUR VISION @ LEICA STORE MIAMI.  Places are limited in this new weekend workshop in Miami.  For more more information, including how to enroll, please visit: 

http://www.leicastoremiami.com/collections/workshops-classes-and-trips/products/alex-webb-rebecca-norris-webb-workshop-finding-your-vision-fri-sat-sun-jan-17-19-2014

——Saturday May 3 thru Friday May 10, FINDING YOUR VISION, NEW YORK.  For more information including how to enroll, please visit: 

http://www.webbnorriswebb.co/#mi=4&pt=0&pi=3

——Friday, Oct. 18, 2013 thru Feb. 2, 2014, “My Dakota” and “Violet Isle” at the Southeast Museum of Photography, Daytona, Florida; artist talk, book signing, and opening reception with Alex and Rebecca on Friday, Oct. 18th, 6-8pm:

http://www.smponline.org/lectures.html#.UiS0jBbB50A

LE MONDE: Klapisch on Webb

September 2, 2013
©Alex Webb, Havana, from "Violet Isle," January 2013 Workshop

©Alex Webb, Havana, from “Violet Isle,” (with Rebecca Norris Webb)

“Life is accidental, nonlinear, heterogeneous, plural. However, when you write a story or make a film, you must try to find geometry and temporality to make appear linear what is not.

Narration and composition of an image are often victims of this paradox, which is so difficult to resolve. The artist seeks to represent life, which is messy and full of clutter, but to do so, the scene must be organized without completely falling into chaos. For my film Chinese Puzzle, Alex Webb was a guide to try to resolve this paradox. “——French cinematographer Cedric Klapisch in Le Monde

“La vie est par nature hétérogène, plurielle, non linéaire, accidentelle. Pourtant, quand on écrit une histoire ou compose une photo, on doit ranger, cadrer, trouver une géométrie et une temporalité pour rendre linéaire ce qui ne l’est pas.

La narration, la mise en scène et la composition d’une image sont souvent victimes de ce paradoxe, très difficile à résoudre. L’artiste cherche à représenter la vie, qui est pleine de désordre mais, pour le faire, il faut l’organiser sans la dénaturer. Pour mon film Casse-tête chinois, Alex Webb a été un guide pour tenter de résoudre ce paradoxe.”—French cinematographer Cedric Klapisch in Le Monde

To read the rest of the interview with noted French cinematographer Klapisch: http://www.lemonde.fr/culture/article/2013/08/15/les-couleurs-du-chaos_3462085_3246.html

©Alex Web

©Alex Webb, “Havana, 2007” from “Violet Isle” (with Rebecca Norris Webb)

UPCOMING WORKSHOPS & EXHIBITIONS WITH ALEX AND REBECCA:

——Monday, Dec. 2-Friday, Dec. 6, 2013, Miami, FINDING YOUR VISION @ MIAMI STREET PHOTOGRAPHY FESTIVAL during ART BASEL MIAMI and the other art fairs. For more information visit the Workshop page of the festival:

http://www.miamistreetphotographyfestival.org/#!alex-webb-workshop/c8kn

——Sat. Sept. 21, Santa Fe, NM, RADIUS BOOKS ARTIST PARTY, 5-8pm, at the Santa Fe Farmer’s Market. Book Sale, Sign-a-Thon, Video Shorts (including “Memory City”), and Silent Auction with Alex and Rebecca and some 50 other Radius artists including Sam Abell, Mark Klett, Stephen Dupont, David Taylor, Sharon Core, Charles Ross, Sharon Harper, Barbara Bosworth, John Gossage, Terry Evans, and  Julie Blackmon.

——Friday, Oct. 18, 2013 thru Feb. 2, 2014, “My Dakota” and “Violet Isle” at the Southeast Museum of Photography, Daytona, Florida; artist talk, book signing, and opening reception with Alex and Rebecca on Friday, Oct. 18th, 6-8pm:

http://www.smponline.org/lectures.html#.UiS0jBbB50A

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©Rebecca Norris Webb, “Badlands” from “My Dakota” at Southeast Museum of Photography, Oct. 18, 2013-Feb. 2, 2014

The photographer and poet grew up in South Dakota and sees the state’s landscape through the lens of grief for a brother who died. But that fact is not immediately apparent in these big, strong color photographs of sprinting deer, drooping sunflowers, and wide-open spaces. They offer an insider’s view, full of personal history, much of which remains coded. “Does loss have its own geography?” Webb has written on one of the gallery walls, and her camera circles the question obsessively, whether landing on a barbed-wire fence trailing torn plastic bags or a buffalo, glimpsed in a side-view mirror. Through Aug. 17.—from The New Yorker, Aug. 12 &19 issue

My Dakota: NOMADS MAGAZINE #4

August 12, 2013
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©Rebecca Norris Webb, “Blackbirds” from “My Dakota” at Ricco/Maresca Gallery, NYC, thru Saturday, Aug. 17th

“I remember coming upon this flock of some thousand blackbirds near the Missouri River.  I was mesmerized by how they flew through the stormy, unsettled Western sky as if they were one huge, dark, undulating, ravenous creature, picking clean the remains of the corn and sunflower fields in the last days of autumn.”­—RNW, from Nomads, issue 4

To read the rest of the story behind the making of the “Blackbirds” photograph above and see the complete “My Dakota” portfolio: http://issuu.com/nomads/docs/nomads_magazine_no._4

Link to “My Dakota” exhibition at Ricco/Maresca Gallery, NYC, thru Saturday Aug. 17th: 

http://www.riccomaresca.com/

©Rebecca Norris Webb, "High Winds," from the book, "My Dakota" (Radius Books)

©Rebecca Norris Webb, “High Winds,” from “My Dakota” at Ricco/Maresca Gallery, NYC, thru Aug. 17

The photographer and poet grew up in South Dakota and sees the state’s landscape through the lens of grief for a brother who died. But that fact is not immediately apparent in these big, strong color photographs of sprinting deer, drooping sunflowers, and wide-open spaces. They offer an insider’s view, full of personal history, much of which remains coded. “Does loss have its own geography?” Webb has written on one of the gallery walls, and her camera circles the question obsessively, whether landing on a barbed-wire fence trailing torn plastic bags or a buffalo, glimpsed in a side-view mirror. Through Aug. 17.—from The New Yorker, Aug. 12 &19 issue

The New Yorker: http://www.newyorker.com/arts/events/art/rebecca-norris-webb-ricco-maresca

UPCOMING WORKSHOPS WITH ALEX AND REBECCA:

——Sunday Oct. 27-Sat. Nov. 2, 2013, NYC, PHOTO PROJECT WORKSHOP 2013: One place left for this intimate workshop where participants work for a week editing and sequencing a project they are passionate about and working with a designer on a cover for a future book or catalogue. For more information:

http://www.magnumphotos.com/C.aspx?VP3=CMS3&VF=MAGO31_4&VBID=2K1HZO048XHMX&IID=2K1HRGWPCA4U&PN=1

To apply: contact Alex and Rebecca: webbnorriswebb@gmail.com

——Monday, Dec. 2-Friday, Dec. 6, 2013, Miami, FINDING YOUR VISION @ MIAMI STREET PHOTOGRAPHY FESTIVAL during ART BASEL MIAMI and the other art fairs. For more information visit the Workshop page of the festival:

http://www.miamistreetphotographyfestival.org/#!alex-webb-workshop/c8kn

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©Installation shot of “My Dakota” exhibition at Ricco/Maresca Gallery, NYC, thru Saturday, August 17th: