Posts Tagged ‘Miami Street Photography Festival’

WORKSHOP SCHOLARSHIP

October 13, 2014
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©RNW,AW, Havana Slant Rhyme, from “Slant Rhymes” at Ars Libri/Robert Klein Gallery, Boston, thru Oct. 31

ONE TUITION-FREE WORKSHOP SCHOLARSHIP available for the upcoming FINDING YOUR VISION @ THE MIAMI STREET PHOTOGRAPHY FESTIVAL. This scholarship is available to all photographers, 18 and older.

To apply, please email:

1. 10 small jpgs (72dpi, 8 inches on longest side)

2. Include a 100 word essay about your relationship with photography (such as student, passionate amateur, photojournalist, photography teacher, fine art photographer), and what you see as your next step photographically (in a word doc, if possible)

3. Include your name, address

DEADLINE: MONDAY, OCTOBER 27TH, 2014

EMAIL THIS APPLICATION TO: Alex and Rebecca, webbnorriswebb@gmail.com, and please place the word, SCHOLARSHIP, on the subject line.

To learn more about the  FINDING YOUR VISION WORKSHOP IN MIAMI.

EVENTS AND WORKSHOPS:

—SATURDAY, OCT. 25, APERTURE FOUNDATION, NYC, 3-4:30PM: Join Aperture, Larry Fink, Alex Webb and Rebecca Norris Webb for an afternoon of presentations and readings from the recently launched The Photography Workshop Series. In the series, Aperture works with the world’s top photographers to distill their creative approaches, teachings, and insights on photography—offering the workshop experience in a book.

Fink and the Webbs will present their titles, Larry Fink on Composition and Improvisation and Alex Webb and Rebecca Norris Webb on Street Photography and the Poetic Imagefollowed by a Q&A with the books’ editor, Denise Wolff, and book signings.  For more information on the book party follow this link.

——NEW WORKSHOP ADDED: FINDING YOUR VISION @ MIAMI STREET PHOTOGRAPHY FESTIVAL, Monday Dec. 1-Friday Dec. 5, 2014.

CURRENT AND UPCOMING EXHIBITIONS, EVENTS, REVIEWS:

——THRU OCT. 31, BOSTON, MEMORY CITY at ROBERT KLEIN GALLERY; SLANT RHYMES at ARS LIBRI WITH ROBERT KLEIN GALLERY;

REVIEW OF THE TWO BOSTON SHOWS BY ELIN SPRING.

——FRIDAY, NOVEMBER 7: CHICAGO: MEMORY CITY ARTIST RECEPTION, TALK, AND BOOK SIGNING, STEPHEN DAITER GALLERY: 5:30-8, with artist talk from 5:30-6pm

——PARIS PHOTO BOOK SIGNINGS, FRIDAY, NOVEMBER 14, \Grand Palais, Paris: APERTURE BOOTH: 3:30pm book signing with the Webbs of “Alex Webb and Rebecca Norris Webb on Street Photography and the Poetic Image” and Alex’s “The Suffering of Light”; SATURDAY, NOV. 15, 3:00pm at RADIUS BOOKS booth: Webb book signing of “Memory City” and some of the last copies of “My Dakota” and some of their limited editions.

GROUP SHOWS

——THURSDAY, SEPT. 18-November 1, 2013, “Rectangular Squares,” at Sepia Eye Gallery, NYC, a group exhibition with Alex Webb, Rebecca Norris Webb, and other photographers. Sepia Eye is located at 547 W. 27th, 6th floor.

——SATURDAY, OCT. 11-OCT. 19, CASTELNUOVOFOTOGRAFIA FESTIVA, ITALY: CONTATTI: Contact sheets and prints of Alex Webb, Rebecca Norris Webb, Jason Eskenazi, Donna Ferrato, Lucia Nimcova, Roger Ballen, Callie Shell, and Anders Petersen.

REVIEWS/INTERVIEWS

——MEMORY CITY REVIEW in Fraction

——SLANT RHYMES: Interview with Teju Cole and the Webb on the New Yorker Photo Booth

LE MONDE: Klapisch on Webb

September 2, 2013
©Alex Webb, Havana, from "Violet Isle," January 2013 Workshop

©Alex Webb, Havana, from “Violet Isle,” (with Rebecca Norris Webb)

“Life is accidental, nonlinear, heterogeneous, plural. However, when you write a story or make a film, you must try to find geometry and temporality to make appear linear what is not.

Narration and composition of an image are often victims of this paradox, which is so difficult to resolve. The artist seeks to represent life, which is messy and full of clutter, but to do so, the scene must be organized without completely falling into chaos. For my film Chinese Puzzle, Alex Webb was a guide to try to resolve this paradox. “——French cinematographer Cedric Klapisch in Le Monde

“La vie est par nature hétérogène, plurielle, non linéaire, accidentelle. Pourtant, quand on écrit une histoire ou compose une photo, on doit ranger, cadrer, trouver une géométrie et une temporalité pour rendre linéaire ce qui ne l’est pas.

La narration, la mise en scène et la composition d’une image sont souvent victimes de ce paradoxe, très difficile à résoudre. L’artiste cherche à représenter la vie, qui est pleine de désordre mais, pour le faire, il faut l’organiser sans la dénaturer. Pour mon film Casse-tête chinois, Alex Webb a été un guide pour tenter de résoudre ce paradoxe.”—French cinematographer Cedric Klapisch in Le Monde

To read the rest of the interview with noted French cinematographer Klapisch: http://www.lemonde.fr/culture/article/2013/08/15/les-couleurs-du-chaos_3462085_3246.html

©Alex Web

©Alex Webb, “Havana, 2007” from “Violet Isle” (with Rebecca Norris Webb)

UPCOMING WORKSHOPS & EXHIBITIONS WITH ALEX AND REBECCA:

——Monday, Dec. 2-Friday, Dec. 6, 2013, Miami, FINDING YOUR VISION @ MIAMI STREET PHOTOGRAPHY FESTIVAL during ART BASEL MIAMI and the other art fairs. For more information visit the Workshop page of the festival:

http://www.miamistreetphotographyfestival.org/#!alex-webb-workshop/c8kn

——Sat. Sept. 21, Santa Fe, NM, RADIUS BOOKS ARTIST PARTY, 5-8pm, at the Santa Fe Farmer’s Market. Book Sale, Sign-a-Thon, Video Shorts (including “Memory City”), and Silent Auction with Alex and Rebecca and some 50 other Radius artists including Sam Abell, Mark Klett, Stephen Dupont, David Taylor, Sharon Core, Charles Ross, Sharon Harper, Barbara Bosworth, John Gossage, Terry Evans, and  Julie Blackmon.

——Friday, Oct. 18, 2013 thru Feb. 2, 2014, “My Dakota” and “Violet Isle” at the Southeast Museum of Photography, Daytona, Florida; artist talk, book signing, and opening reception with Alex and Rebecca on Friday, Oct. 18th, 6-8pm:

http://www.smponline.org/lectures.html#.UiS0jBbB50A

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©Rebecca Norris Webb, “Badlands” from “My Dakota” at Southeast Museum of Photography, Oct. 18, 2013-Feb. 2, 2014

The photographer and poet grew up in South Dakota and sees the state’s landscape through the lens of grief for a brother who died. But that fact is not immediately apparent in these big, strong color photographs of sprinting deer, drooping sunflowers, and wide-open spaces. They offer an insider’s view, full of personal history, much of which remains coded. “Does loss have its own geography?” Webb has written on one of the gallery walls, and her camera circles the question obsessively, whether landing on a barbed-wire fence trailing torn plastic bags or a buffalo, glimpsed in a side-view mirror. Through Aug. 17.—from The New Yorker, Aug. 12 &19 issue

My Dakota: NOMADS MAGAZINE #4

August 12, 2013
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©Rebecca Norris Webb, “Blackbirds” from “My Dakota” at Ricco/Maresca Gallery, NYC, thru Saturday, Aug. 17th

“I remember coming upon this flock of some thousand blackbirds near the Missouri River.  I was mesmerized by how they flew through the stormy, unsettled Western sky as if they were one huge, dark, undulating, ravenous creature, picking clean the remains of the corn and sunflower fields in the last days of autumn.”­—RNW, from Nomads, issue 4

To read the rest of the story behind the making of the “Blackbirds” photograph above and see the complete “My Dakota” portfolio: http://issuu.com/nomads/docs/nomads_magazine_no._4

Link to “My Dakota” exhibition at Ricco/Maresca Gallery, NYC, thru Saturday Aug. 17th: 

http://www.riccomaresca.com/

©Rebecca Norris Webb, "High Winds," from the book, "My Dakota" (Radius Books)

©Rebecca Norris Webb, “High Winds,” from “My Dakota” at Ricco/Maresca Gallery, NYC, thru Aug. 17

The photographer and poet grew up in South Dakota and sees the state’s landscape through the lens of grief for a brother who died. But that fact is not immediately apparent in these big, strong color photographs of sprinting deer, drooping sunflowers, and wide-open spaces. They offer an insider’s view, full of personal history, much of which remains coded. “Does loss have its own geography?” Webb has written on one of the gallery walls, and her camera circles the question obsessively, whether landing on a barbed-wire fence trailing torn plastic bags or a buffalo, glimpsed in a side-view mirror. Through Aug. 17.—from The New Yorker, Aug. 12 &19 issue

The New Yorker: http://www.newyorker.com/arts/events/art/rebecca-norris-webb-ricco-maresca

UPCOMING WORKSHOPS WITH ALEX AND REBECCA:

——Sunday Oct. 27-Sat. Nov. 2, 2013, NYC, PHOTO PROJECT WORKSHOP 2013: One place left for this intimate workshop where participants work for a week editing and sequencing a project they are passionate about and working with a designer on a cover for a future book or catalogue. For more information:

http://www.magnumphotos.com/C.aspx?VP3=CMS3&VF=MAGO31_4&VBID=2K1HZO048XHMX&IID=2K1HRGWPCA4U&PN=1

To apply: contact Alex and Rebecca: webbnorriswebb@gmail.com

——Monday, Dec. 2-Friday, Dec. 6, 2013, Miami, FINDING YOUR VISION @ MIAMI STREET PHOTOGRAPHY FESTIVAL during ART BASEL MIAMI and the other art fairs. For more information visit the Workshop page of the festival:

http://www.miamistreetphotographyfestival.org/#!alex-webb-workshop/c8kn

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©Installation shot of “My Dakota” exhibition at Ricco/Maresca Gallery, NYC, thru Saturday, August 17th: