We invited photographers we’ve met in workshops around the world — and through this blog — to help us celebrate the holidays by posting a photograph and giving us an update about their work. So here are images from 17 photographers from FOUR CONTINENTS around the world.
To everyone in our online photographic community, we’d like to wish you a holiday season filled with joy and love. –– Alex Webb and Rebecca Norris Webb
Matthew Goddard-Jones, New York, 2010
Congratulations to Australian photographer, MATTHEW GODDARD-JONES, whose above photograph was a finalist for a National Geographic prize. Matt took this photograph during our Master Class this past May in New York.
Bill McCullough
Austin-based photographer, BILL MCCULLOUGH, often finds moments on the edges of the weddings he photographs professionally — and passionately, too. “I love and am obsessed with what I do,” says Bill, who is also a musician. The above is from his limited edition book, “Technicolor Life: American Wedding,’ which you can peruse (and order!) online.
Wenjie Yang, "Low City" exhibition
Chinese photographer, WENJIE YANG — who some of you know as “BaiBai” from the Oslo Magnum Workshop — has been quite busy working on personal projects as well as photographing for clients since she graduated recently from the ICP photography program. For those in New York, be sure and visit her current exhibition, “Low City, Photographs from Chongqing,” at the Chinese-American Arts Council in Manhattan’s Chinatown.
Magdalena Sole, from her upcoming book, "New Delta Rising"
New York-based photographer, MAGDALENA SOLE (who some of you know from the Magnum New York Workshop or the Venice Workshop), is finishing her first book of photographs, which is about the Mississippi Delta. Called “New Delta Rising,” the book will be released next year by the Dreyfus Health Foundation and distributed by the University of Mississippi Press. It includes a essay by southern writer, Rick Bragg, and was one of those rare books by another photographer that we chose to edit this year. You’ll read more about Magdalena’s book next year on this blog, after it’s released.
Lisen Stibeck, Palestinian refugee camp, Beirut, Lebanon, 2010
Swedish photographer, LISEN STIBECK, is working on a recent project that has taken her to this refugee camp on the outskirts of Beirut (above), as well as to other struggling neighborhoods around the globe, including those in Syria, Lebanon, and, next year, Mexico. Lisen’s project arose from the work she’s been doing at an orphanage in Marrakesh, where she is currently mentoring teenaged girls.
Alessandro Marchi
Italian photographer, ALESSANDRO MARCHI, who some of you met in the Lucca Workshop, has photographs that will be exhibited as part of the Format International Photography Festival from March 4, 2011- to April, 3, 2011, in Derby, UK. Here is a link to the series that will be shown called, “Floating Between Possible Breakdowns.”
You can also see a multimedia presentation of his work from another project, DZMK, in which Alessandro has been photographing many of the workers in a steel factory in southeastern Kazakhstan.
Dimitri Mellos, New York, 2010
Above is an image from a long-term street photography project by Greek photographer, DIMITRI MELLOS, on New York City, called “Its Strangest Patterns,” a title inspired by a wonderful quote by novelist Joseph O’Neill. Some of you met Dimitri at either the Magnum New York Workshop or the first Photo Project Workshop in Dumbo, Brooklyn, this past fall. We will feature more from his project on the blog next year in an upcoming UNBOUND column.
Tone Elin Solholm, cover of her new book, "The Giants' Living Room"
Norwegian designer and photographer, TONE ELIN SOLHOLM — from both the Venice and Barcelona workshops — had her new book, “The Giants’ Living Room,” featured in a recent NEW BOOK column on the blog, a book with a prose poem written by Rebecca called, “Remember When the World Had Seven Rooms…” To see more images from Tone’s book — and to order a copy of the trade edition or the limited edition of the book — visit Tone’s website below.
Yvonne Liu, Toronto, 2010
Some of you met Chinese photographer, YVONNE LIU, at the Toronto Magnum Workshop in May this past year, in which she took the above photograph. Although relatively new to photography, Yvonne’s enthusiasm and grace and compassion inspired many of us who have been photographing much longer. She’s currently working on a new project in Tibet, and will be, we’re sure, an invaluable member of our upcoming Hong Kong Workshop in January.
Shea Naer
LA-based photographer, SHEA NAER, from our New York Master Class last May in Dumbo, had seven portraits from her series, “Pugilists” published in the NYC journal, Canteen, this past summer. This coincided with a group exhibition, which included some of this same work, at the powerHouse Arena in Brooklyn last August.
David Bacher, Sud Tirol, 2010
“At least once a year I visit the South Tirol, which is the area where my father was born. It is like a pilgrimage back to his roots and mine as well, as my parents often took me there when I was growing up. This past October I spent a week near the town of Brixen with my father. One of the neighboring valleys is called the Vilnösstal. It is where the mountaineer Rheinhold Messner grew up and is the location of one of the most famous and breathtaking massifs in the Dolomites, the “Geislergebiet.”
Being near the mountain fills me with an overwhelming source of energy, purpose, and place. It is the most beautiful place I know.” — David Bacher
Francois Dagenais
Canadian cinematographer and photographer, FRANCOIS DAGENAIS, currently has work included in three group exhibitions in the U.S., including “HumanKind,” a juried invitational photo exhibition at the powerHouse Arena that opened on December 17th, and “Scene on the Street: Photos from Public Places,” at the Vermont Photo Space Gallery, an exhibition which was curated by National Geographic photographer and VII member, Ed Kashi.
Justin Partyka, Isleham, Cambridgeshire, 2010
“This year I was commissioned by the publishers Full Circle Editions to produce a new photo essay to appear in their reissue of the classic oral history collection ‘Fenwomen,’ first published by Virago in 1975.
The essay I have produced, ‘Black Fen they call it….’ (taken from the first line of the book) was made in and around the village of Isleham in the Cambridgeshire Fens, where the oral history was originally collected by the author Mary Chamberlain. Twenty-three photographs will be featured in the book.
The book went to press on 29 November, and will be available in January. A series of events and exhibitions are currently being planned for 2011. Details of the book are available from the publishers website, where the book can also be ordered.”–Justin Partyka
Thomas Lindahl Robinson, Cuba
THOMAS LINDAHL ROBINSON is continuing to work on his long-term project on Cuba, and the above photograph is from this series. Thomas is also working on a project on China, which is not yet up on the website below, as well as blogging.
Thomas Lindahl Robinson website
Steinar Haugland, cover of his Blurb book, "Aloneliness"
Norwegian photographer, STEINAR HAUGLAND, who some of you met during the Venice Workshop, has published his first Blurb book, “Aloneliness,” and you’ll find the cover above.
Steinar Haugland Blurb book, Aloneliness
Uwe Schober
“This summer in Spain, I have been working on a series that I have named ‘Perturbadora Pasión | Disturbing Passion | After Francisco Zurbarán.’ The idea came when I was walking through the streets of Barcelona at night and saw all the homeless people sleeping in church entrances, on benches, shops and restaurants. The characteristically yellow light reminded me of Goya and especially of Zurbarán. So I decided to photograph the homeless in just that way with a reference to Spanish masters of the 17th century – not to mock the homeless, quite the opposite: to give them a different voice. I will exhibit part of the series in a group exhibition this winter in the ‘atelier freier fotografen’ in Berlin.”–Uwe Schober
David Belay, Istanbul, 2010
“I was drawn to Istanbul both by Alex’s book and by the many things I had heard about Istanbul from so many different people. I found a city that is so complex and multifaceted that, in my opinion, the best way to try and capture its spirit is just to ‘sample’ it, as in this wonderful enumeration of places, moments, etc. in the essay by Orhan Pamuk featured at the end of Alex’s book. It seems to me that a collection of pictures is just the visual equivalent of that, and therefore that photography is a great medium to approach this unique city.”–David Belay
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