Nice that the first day of the press check in Singapore for Rebecca’s “My Dakota” book started with the dust jacket (see above). Another bit of luck: Like with the press check for “Violet Isle,” we have the master pressman again, Simon (see below), who has managed to capture the luminosity of Rebecca’s elegiac prints. So far, the press check is going well.––Alex Webb
Archive for the ‘New book’ Category
As I am preparing emotionally and mentally to be on press tomorrow, I can’t help but think of the metaphor of childbirth with regards to bringing a new book into the world. Perhaps it’s because I come from a long line of doctors –– my father is fifth generation doctor, my younger sister, sixth generation — but I don’t see myself as the mother, but as the midwife or the doctor, attending to the work, helping to deliver the work into the world, Perhaps that’s also because this new book, as personal as it is for me, isn’t me. It’s wiser than I am. It’s more than I am. It’s more important than I am.
My task these next few days on press –– along with the book’s designer and Radius”s creative director, David Chickey, and Alex, who helped me sequence the photographs –– will be to try to deliver the work into the world, and to deliver it alive, as the poet Ezra Pound once said about poetry. Isn’t that always the task: To keep enough of the flaws and the contradictions and the cracks and the complexity and the tensions in a book, which are a book’s life’s blood? Or perhaps I just like the irony of using the metaphor of childbirth in a book that deals with death…––Rebecca Norris Webb
––BOOK SIGNING AT PARIS PHOTO @ THE GRAND PALAIS
SATURDAY, NOV. 12, 4:30 @ APERTURE BOOTH, E26
Join us for a book signing of Alex’s new book, THE SUFFERING OF LIGHT (exhibition opening @ Aperture in New York, Thursday, Dec. 8th), and our joint Cuba book, VIOLET ISLE (exhibition currently at the Museum of Fine Arts, Boston, until January 16th, 2012; Radius Books expects VIOLET ISLE to be sold out by the end of the year). We will post other book signings and activities we’ll be involved in @ Paris Photo –– which this year celebrates African photography –– as we finalize our schedule. Here is a link to more Aperture book signings at Paris Photo this year, including a signing by one of Rebecca’s favorite photographers, Rinko Kawauchi.—Alex Webb and Rebecca Norris Webb
––ALEX WEBB LECTURE IN MUNICH
FRIDAY, NOVEMBER 18TH. For more information (only in German), please follow this link. Alex will be speaking as part of a conference.
––REBECCA NORRIS WEBB @ THE BROOKLYN PUBLIC LIBRARY
Rebecca will join a group of filmmakers, writers, and other photographers involved in the Brooklyn project, “Jump Rope Girls,” a project started by journalist, SUSAN HARTMAN, for an article she did for The New York Times 23 years ago about a group of girls who were expert Double Dutch jumpers at a time when their Brooklyn neighborhood was particularly troubled. A generation later, Hartman — with a group of documentary filmmakers and photographers — has continued to follow three of the four young women and their extended family and community, including Savannah (below), whom Rebecca has been photographing this past year, a process that’s taking her back to her photographic roots –– she started out in photography photographing children at play in New York, influenced by the street work of Helen Levitt and the portraits of Sally Mann.–Alex Webb
Jump Rope Girls, 23 Years On
Wed., November 30, 2011 7:00 pm Free
Brooklyn Public Library 10 Grand Army Plaza MAP IT
2/3 trains at Grand Army Plaza
Refreshments by Salsa Catering.
WEBB WORKSHOP UPDATE: TWO NEW WORKSHOPS
––ONE DAY WORKSHOP @ APERTURE, NY: Saturday, December 17, 2011
––CUBA: STREETS OF HAVANA, Nordic Light Workshop: JANUARY 2012
––ONE-DAY WORKSHOP @ APERTURE, NYC
with Alex Webb and Rebecca Norris Webb
Saturday, December 17, 10-5 pm; includes public gallery talk with Alex Webb about his Aperture exhibition, THE SUFFERING OF LIGHT from 4 to 5 pm.
$225; $175 for full time photography students and Aperture members
Do you know where you’re going next with your photography –– or where it’s taking you? This intensive one-day workshop will help photographers begin to understand their own distinct way of seeing the world. It will also help photographers figure out their next step photographically –– from deepening their own unique vision to the process of discovering and making a long-term project that they’re passionate about.
A workshop for serious amateurs and professionals alike, this one-day workshop will begin Saturday morning with reviews of each photographer’s work, serving as a jumping off point for a larger discussion about various photographic issues. Alex and Rebecca, a creative team who often edit projects and books together –– including their book and Museum of Fine Arts, Boston, exhibition, “Violet Isle: A Duet of Photographs from Cuba” –– will explore with the class a series of topics, including the process of photographing spontaneously and intuitively; how to photograph in cultures other than one’s own; how to edit photographs intuitively; the emotional and psychological implications of working in color vs. black and white; the difference between images in a book and images on the wall; and how long-term projects can evolve into books and exhibitions. Participants should be prepared to ask questions, as these concerns will help shape the ultimate direction of the workshop.
This one-day workshop is for documentary photographers, street photographers, art photographers, and others who photograph the world with a camera –– not for those who dramatically alter their photographs digitally.
WHAT PHOTOGRAPHERS SHOULD BRING: About 30 photography prints (can be inexpensive 5×7 or 8×10 work prints; we are most interested in the image not the quality of the print). For those who are working in a series or on a long-term project, feel free to bring one or two projects.
Class limit: 20
To enroll for the workshop and pay the workshop fee (there is a discounted rate for full-time photography students, Aperture Patrons, and SNAP! members), please follow this link to the Aperture site. For more information, contact Rebecca at firstname.lastname@example.org.
––THE STREETS OF HAVANA with NORDIC LIGHT
Sunday, January 22, 2012 to Saturday, January 28, 2012; possible second week, Jan. 29-Feb. 5
Havana workshop, organized by Norway’s Nordic Light Photography Festival. For more information, follow this link.
Please join us on Saturday, August 27th, at the CENTER FOR PHOTOGRAPHY AT WOODSTOCK, for our slide talk and book signing, “Together and Apart,” at 8pm.
You’ll also find a new audio piece about our “Violet Isle” exhibition at the MFA, Boston, at this link.
We’ll have more soon about Alex’s upcoming Aperture show later this fall in New York, as well as September gallery openings in Chicago and Boston.––Alex Webb and Rebecca Norris Webb
WEBB WORKSHOP UPDATE
There are two spaces left for the BOOK WEEKEND WITH RADIUS BOOKS the third weekend in September in Santa Fe, which will involve both David Chickey, the prize-winning book designer and creative director of Radius Books, and Darius Himes, Radius editor and noted photo book expert. Please contact me at the below email ASAP if you’re interested in attending. Former Webb Workshop participants are invited to apply without submitting a portfolio, but other photographers will be considered as well. For more information, please visit this link on the Magnum Events page. This workshop is not only a great way to support your own long-term project, but also Rebecca’s upcoming “My Dakota” book as well.–Alex Webb (email: email@example.com)
Please join us to celebrate the launch of Alex’s new book, The Suffering of Light, at Aperture at 6:30pm, which will include a conversation with photographer and critic Max Kozloff and a booksigning afterwards. (To take a look inside Alex’s new book, follow this link to the PhotoEye site.) And here’s a link to a portfolio of Alex’s work from the new book on the La Lettre site, courtesy of the Robert Klein Gallery in Boston, which will have a joint show of our work on Saturday, September 17th, from 2-4pm.
And below you’ll find a rough, homemade video of our Violet Isle show at the Museum of Fine Arts, Boston, an exhibition mentioned in The New York Times on Sunday and reviewed in The Boston Globe on Tuesday, May 31st. For those who are part of the “Two Looks” online community, please let us know if you get a chance to see Violet Isle at the MFA, Boston, which will be up until January 16, 2012.
By the way, if you visit the MFA by June 16th, be sure and stop by and see the photography show, “Conversations: Photography from the Bank of America Collection,” which includes work by such noted photographers as Lee Friedlander, Diane Arbus, Julia Margaret Cameron, Wright Morris, Alec Soth, William Eggleston, Robert Frank, Mitch Epstein, Larry Sultan, Mike Smith, and Helen Levitt.–Rebecca Norris Webb
Perhaps it’s the poet in me, but I love the irony of being able to hold in my hands a series of intangible moments — and Alex’s new book of 30 years of color work is no exception.
To see a slide show of images — including the one above from Erie, Pennsylvania, which was the last photograph Alex took for THE SUFFERING OF LIGHT during a road trip with me driving from New York to South Dakota last summer, and, appropriately, the last photograph in the book — and to read Alex’s notes on the bookmaking process, please follow this link to TIME.COM, where you can also leave your comments.
In addition, here’s a link to an excerpt of the Geoff Dyer essay about Alex in the book, an excerpt recently posted on the GUARDIAN website.
For those in the New York area, please join us for the book launch of THE SUFFERING OF LIGHT at Aperture Foundation, 547 W. 27th on WEDNESDAY, JUNE 1st at 6:30pm, which will include a conversation with noted critic Max Kozloff as well as a book signing. Alex and I hope to see many of you there.–Rebecca Norris Webb
We’re back in Brooklyn, and wanted to give our TWO LOOKS online community the first glimpse of two new WebbWorks: Alex’s first advance copy of his survey book, THE SUFFERING OF LIGHT, and a new poem Rebecca recently wrote on a ranch in South Dakota for her upcoming book, MY DAKOTA, which is a photographic elegy for her brother, Dave. Again, we both apologize for our rough, at times out-of-focus homemade videos (Unfortunately, the IPOD touch doesn’t focus very precisely, not to mention Rebecca’s shivering hands in the -15 F Dakota blizzard.)
Alex’s book will be available May 1 from Aperture (US), Thames and Hudson (UK), Contrasto (Italy), and Textuel (France). We will keep you posted about upcoming book signings and other events in May and June in New York, Madrid, London, Boston, and Charlottesville.—Alex Webb and Rebecca Norris Webb
Being on press involves a lot of waiting: waiting for the plates and press to be prepared, waiting for the pressmen to make initial inking adjustments, waiting for further inking adjustments at the direction of the production team, and, finally, waiting for the run to be completed (sometimes compounded by alternate plates inserted for foreign editions). And then the process begins all over again. With this book, which has 17 signatures, that’s 34 set-ups plus delays on each run for two foreign editions (French and Italian). That’s a lot of waiting, even for a photographer like myself, who spends so much of his life waiting and watching for photographs.
So how does a photographer try to break up this monotony? The obvious way: I took this photograph while meandering through the maze of the printing plant. — Alex Webb
The funny thing about waiting around on press with all these amazing photographs of Alex’s — even the street outside the printing plant is beginning to look like an Alex Webb photograph. –Rebecca Norris Webb