Posts Tagged ‘Minh Carrico’

Four Continents: 30 Photographers

December 29, 2011

For the third year, we’re celebrating the NEW YEAR with updates from some 30 members of our TWO LOOKS online photographic community from around the world, which includes first books, upcoming and current exhibitions, new blogs, and long-term projects.  Congratulations to all of you.  

In addition, we’d like to give a special thanks to everyone who’s supported Rebecca’s “My Dakota” book and upcoming exhibition in 2012.  We couldn’t have done it without your support.  (There is still one limited ed. of “My Dakota” available, as well as a few of the handmade artist books; please contact Alex for more information: rnorriswebb@yahoo.com).  Near the end of the column, you’ll also find two worthy projects you may want to consider supporting.  And, as some of you have requested, this column ends with a short list of some of our upcoming 2012 workshops.

So, to all of you, we’d like to wish you a very productive NEW YEAR, and — as always — please stay in touch.—Alex Webb and Rebecca Norris Webb

Please leave your congratulations to fellow photographers in the comment section at the end of this blog posting or contact him or her directly through his/her website.

NEW BOOKS

Magdalena Sole, cover of her new book, "New Delta Rising"

Some of you may remember New York City-based photographer Magdalena Sole (originally from Spain) from the Venice and New York workshops.  Above, is the cover of her first photography book, NEW DELTA RISING, which will be available from Amazon in January.  You’ll also find, below, the cover of L.A.-based photographer Alia Malley’s new book, A CAVALIER IN SIGHT OF A VILLAGE (Havana and Brooklyn workshops), which was funded thanks to a very successful Kickstarter campaign, and Norwegian photographer Marie Sjovold’s DUST CATCHES LIGHT (Norway workshop), a book which was launched this fall in Paris.

We’ve also included covers of Austin, Texas photographer Bill McCullough’s limited edition book, TECHNOCOLOR LIFE: AMERICAN WEDDING (Woodstock workshop), Canadian photographer Richard Marazzi’s book on Cuba,  EPOCA (Toronto workshop), British photographer Justin Partyka’s FIELD WORK (Cadiz workshop), Canadian photographer Ewa Zebrowski’s artist’s book, SEA OF LANTERNS (Venice and Aperture workshops) with text by Anne Michaels, a book which will be launched at the Art Gallery of Ontario in May 2012, and award-winning Swedish photographer Per-Anders Pettersson’s catalog of photographs from South Africa, EKHAYA (Project Workshop @ Caption Gallery).

You’ll find more details about the above publications — including where to purchase them — on the photographers’s websites,  as well as on some of the additional links listed below (such as the Amazon link for Magdalena). — AW and RNW

–Where to buy Magdalena’s new book, NEW DELTA RISING: (will be available in January 2012)
Amazon.com: New Delta Rising (9781617031502): Magdalena Solé, Barry H. Smith, Rick Bragg, Tom Lassiter: Books
–Magdalena’s website: www.solepictures.com

Marie Sjovold, cover of her book, "Dust Catches Light"

–In U.S., the book will soon be offered by Photo Eye — http://www.photoeye.com,  Currently, here’s where it can be ordered in Norway and Sweden:

–Marie’s website: www.mariesjovold.no

Alia Malley, cover of her book, "A Cavalier in Sight of a Village"

Book is available at:  http://www.aliamalley.com/cav_book.html

Alia’s website: www.aliamalley.com

Richard Marazzi, "Época"

Richard Marazzi, "Época"

Richard’s website:  http://www.richardmarazziphoto.com/

Bill McCullough, from the book "Technicolor Life: American Wedding"

Bill McCullough, from the book "Technicolor Life: American Wedding"

Bill’s website: http://www.billmcculloughphotography.com/

Justin Paryka, "Field Work"

Justin Partyka, "Field Work"

 Justin’s website: http://www.justinpartyka.com/

Ewa Zebrowski, from the artist book, Sea of Lanterns, text by Anne Michaels

Order “Sea of Lanterns” at this link on Photo Eye.

Ewa’s website: http://www.ewazebrowski.com/

Per-Anders Pettersson, cover of catalog, "Ekhaya"

Per’s website: http://www.peranderspettersson.com

Susan Berger, Jersey City, NJ 2010

Susan Berger, Jersey City, NJ 2010

NEW EXHIBITIONS/GALLERIES

CONGRATULATIONS to many of you with recent and upcoming exhibitions, including U.S. photographer, Susan Berger‘s, MARTIN LUTHER KING BOULEVARD, which will be on view at the Griffin Museum of Photography near Boston from January 5, 2012 to March 1, 2012. (Susan was recently in our Book Weekend Workshop @ Radius this past fall.) Also, New England photographer Chris Chadbourne‘s STATE FAIR photographs (Photo Project  @ Caption Gallery) will open next June at the Griffin Museum, and then travel to venues in Las Vegas, Nevada, and North Carolina (the work was also shown at the New England Photo Biennial –see photo below).  San Francisco-based Jane Paradise , recently who attended our UNBOUND workshop at LOOK3, has work in a group exhibiton at the Bedford Gallery near San Francisco, including this photograph below from her BLUE COMMA series from Cape Cod, which was selected for the Bedford Gallery show by SFMOMA’s Sandra Phillips and Oakland Museum’s Drew Johnson (here’s a link to a video interview of the two curators about the exhibition).  Jane will also have work in Buenos Aires and near Boston at the Griffin Museum in 2012.

For all of you who remember Norwegian photographer Tone Elin Solholm (Venice and Barcelona workshops), she will be having an exhibition of 20 photographs from her first book,  THE GIANTS’ LIVING ROOM, at the noted Oslo gallery, Fotografiens Hus (House of Photography) from February 9-26, 2012, which will include the poem Rebecca wrote for the book (Tone’s photograph and Rebecca’s poem below).

U.S. photographer Susan Cardona (CPW Workshop) will have an exhibition, IN WASHINGTON COUNTY, this summer in Eastport, Maine.  New York City-based British photographer, Shane Gray, will have an exhibition of his STREET PHOTOGRAPHS this spring at the Lunasas bar at 126 1st Av. (between 7/8 St.), and you can see his latest projects and the exact dates of the show on his website. One of  Minny Lee‘s photographs from her Self-Portrait series is currently featured in the group exhibition, DREAMS, at the Center for Fine Art Photography, Fort Collins, until January 7, 2012.

Belgium photographer Serge Maes — who some of you may remember from the Barcelona and New York workshops — currently has photographs in a joint show in Bussum, the Netherlands, until the end of December, and will have a new website up and running soon.  And one of the youngest photographers in our community, Austrian photographer MAFALDA RAKOS (Photo Project @ Caption Gallery), will have some of her photographs of her fellow teenagers in the photography festival in Braga, Portugal, “Entcontros da Imagem,” in fall 2012.

Lastly, we are pleased to announce the opening of a new collective gallery in Seattle by two of our former PCNW workshop photographers, Minh Carrico and Carina del Rosario — along with a third photographer, Su’J’n Chon.  The gallery is called  IDEA Odyssey.

Jane Paradise @ the Bedford Gallery in California

Tone Elin Solholm, from her upcoming House of Photography exhibit, "The Giants' Living Room," in Oslo in February. Rebecca's poem -- "Seven Rooms" -- will also be included in the Fotografiens Has exhibition.

 Remember when the world had seven rooms?

Ours had a back staircase and pocket doors. 

One winter, I had a room under the wingback chair only I could enter.

Next summer, I hid in the flowering plum for hours, & my mother called & called.

Flattening their wings, bats crawled under any closed door.  No one was safe.

Falling asleep, my book half open, I dreamt I was flying.

Since then, I’ve visited six continents and three oceans.

Now, the world with seven rooms lives inside of me.

Slowly I climb the back staircase.

My dead brother swings me around and around — finally lets go.

I fly through the air.

–Rebecca Norris Webb

Chris Chadbourne, installation view of the 2011 New England Photo Biennial

Chris Chadbourne, installation view of the 2011 New England Photo Biennial

Sue Cardona, Lobster Fisherman, Jonesport

Sue Cardona, Lobster Fisherman, Jonesport

Shane Gray, Dining Hall Scaffolder

Shane Gray, Dining Hall Scaffolder

Minny Lee, Self-portrait, Mestre, Italy 2011

Minny Lee, Self-portrait, Mestre, Italy 2011

 

S.M. Maes, Barcelona, Spain

S.M. Maes, Barcelona, Spain

Mafalda Rakos

Mafalda Rakos

Carina A. del Rosario (right) with IDEA Odyssey gallery co-founder Minh Carrico. (The third co-founder, SuJ'n Chon, is not pictured.)

Carina A. del Rosario (right) with IDEA Odyssey gallery co-founder Minh Carrico. (The third co-founder, SuJ'n Chon, is not pictured.)

NEW PHOTO AGENCY

Sebastián Liste, from the series "On This Side of the Mountain"

Sebastián Liste, from the series "On This Side of the Mountain"

SEBASTIAN LISTE — who some of you met at our UNBOUND workshop @ LOOK3 this summer —  is now a Featured Photographer at Reportage by Getty Images.  And, in case you missed it, here’s Sebastian’s two-part interview with photographer, writer, digital tech and our studio manager, TRENT DAVIS BAILEY, on Daylight Magazine earlier this year:  Link to Part I.  Link to Part II.

NEW BLOG

As a commercial photographer, how do you continue to inspire your personal photography?  For Colorado wedding photographer PRESTON UTLEY, he decided to start a blog devoted to his personal work, called THE SNAP SHOT DIARIES.  We look forward to following Preston’s new blog in 2012.

Preston Utley, "Snow Capped," from his new blog, "The Snap Shot Diaries"

Preston’s website

FUNDRAISING

What better way to start the NEW YEAR than to contribute to documentary projects??  Below are two we think you should consider: The first is Russian photographer OLGA KRAVET’s GROZNY: Nine Cities (Olga was in our Moscow Workshop in 2007), a collaborative project with two of her fellow Russian photographers, Maria Morina and Oksana Yushko.  Here is a link to the Grozny fundraising page. The second is L.A.-based photographer and documentary filmmaker SARA TERRY’s FOLK (the doc’s cinematographer, HENRY JACOBSON,is also a photographer whose work was recently featured on VISURA). Any amount you give will help support these very worthy projects.

Sara Terry, FOLK a feature-length documentary

Sara Terry, FOLK a feature-length documentary

NEW PROJECTS

David Bacher

David Bacher

We think it’s fitting to end FOUR CONTINENTS where it all begins — by taking a look at some new and ongoing photography projects from around the world.  First we’ll start in Europe with three talented street photographers — Paris-based DAVID BACHER, French photographer DAVID BELAY (You may remember David Belay from our recent Munich workshop and our Peru workshop), and Dutch photographer BAS LOSEKOOT (Caption Gallery workshop).   We’ve also included from Argentina, ALEJANDRO KIRCHUK  and his moving portraits of his grandparents, as well as Venezuelan-born GUILLERMO DE YAVORSKY’S tender and surreal Skype portraits of friends and family around the world, and many of these screen shots were taken in St. Barts where he now lives.  We end with Greek photographer DIMITRI MELLOS  and his photographs from the streets of New York, where he’s based, and Chinese photographer MAX WANG, who recently finished a second comprehensive project photographing and interviewing 100 people across Canada, ages 1 to 100 (Max recently did a similar project in China, as those of you may remember from the Unbound Workshop at LOOK3 this past summer).

David Bacher’s website: http://www.davidbacher.com/

David Belay

David Belay

David Belay’s photos: http://maddav.jalbum.net/4continents/index.html

Alejandro Kirchuk

Alejandro Kirchuk

Alejandro’s website: http://www.alejandrokirchuk.com.ar/

Bas Losekoot, from "Sao Paulo and the Urban Millennium"

Bas Losekoot, from "Sao Paulo and the Urban Millennium"

Bas’s website: http://www.baslosekoot.com/

Dimitri Mellos, 2011

Dimitri Mellos, 2011

Dimitri’s website: http://www.dimitrimellos.com

Yinan Max Wang, Aunjelica, 2011

Yinan Max Wang, Aunjelica, 2011

Max’s website: http://www.yinanmaxwang.com/

Guillermo de Yavorsky, from the series "FarAway So Close (Skype Portraits)"

Guillermo de Yavorsky, from the series "FarAway So Close (Skype Portraits)"

Guillermo’s photos:

http://web.me.com/deyavorsky/South_African_Football/index.html

http://web.me.com/deyavorsky/Skype_portaits/index.html


UPCOMING WORKSHOPS WITH ALEX AND REBECCA

–THE STREETS OF HAVANA, Sunday, Jan. 22 thru Saturday, Jan. 28, 2012.  There are only a few places left in this upcoming workshop sponsored by Norway’s Nordic Light.  For more information follow this link.

–WEEKEND WORKSHOP IN SINGAPORE, Friday evening, March 9, 2012, thru Saturday, March 11, 2012.  An intensive weekend workshop with the Webbs and Radius Books creative director and noted book designer, David Chickey. More information about this workshop will appear soon on the Magnum website and on the workshop page of the webbnorriswebb website.

–WEEKEND WORKSHOP @ APERTURE, NY, Friday evening, March 23, thru Sat., March 25, 2012. Do you know where you’re going next with your photography –– or where it’s taking you?   An intensive weekend workshop with Alex and Rebecca. Check the Aperture site midJanuary for details about fees and how to apply.

–FINDING YOUR VISION WORKSHOP @ CAPTION GALLERY, BROOKLYN, NY.  Sunday May 20 thru Friday May 25, 2012.* A week-long photographing and editing workshop where each photographers begins to explore his or her own way of photographing and how to edit intuitively.  Will include exercises, light room tutorials, and a presentation by a noted book editor. Applications open January 9, 2012, and early acceptance notification will start on February 9, 2012.  Check the workshop page of the webbnorriswebb website for fees, application process and further details.

*If there is enough interest, we will explore offering a second session of the Finding Your Vision Workshop @ Caption Gallery the week before —  Sunday May 13 thru Friday May 18, 2012.

TWO QUESTIONS: On Writing and Crowded Frames

November 30, 2009

For November, we decided to include TWO QUESTIONS from two West Coast photographers, Stella Kalaw and Minh Carrico (find out more about them below).  In this same vein, please feel free to leave TWO COMMENTS –– one about one of Rebecca’s responses, one about one of Alex’s –– after this posting. ––AW and RNW

ON WRITING AND VISUAL COMPLEXITY

Rebecca Norris Webb, Near Gray Goose, S.D., 2006

STELLA KALAW: Rebecca, I saw a few images from My Dakota on your website, and there is something quite poetic and lyrical in the way that you express yourself in this body of work. Does your background as a writer affect the way you photograph?

REBECCA NORRIS WEBB:  With My Dakota –– which started out as an exploration of my relationship with the American West and ended up also becoming an elegy for my brother, Dave, who died unexpectedly –– my writing abandoned me for two years after he died. I’m not entirely sure, but perhaps the hole left by my not being able to write somehow intensified my need to photograph during this time, because it was the only way I had left to express myself.

Now, some three years after my brother’s death, my writing has returned, but it’s as spare as a treeless prairie.  Maybe My Dakota will ultimately include little or no writing of my own.  Maybe that’s okay.  Maybe that merely reflects the particular nature of my grief.  I won’t know until I start to put together the book dummy, which I plan to do this winter.  For me, the return of my writing is more a sign that I’ve somehow arrived at the far side of my grief, and, from that vantage point, finally have enough distance to absorb and distill and edit and ultimately let go of the work.

S.K.: Alex, there is this visual complexity that is so inherent to your images. How did this evolve?

ALEX WEBB: I think that I have always been drawn to visually complex photographs.  Many of my early photographs contain more than one element, have more than one point of focus.  As the years have passed, my photographs have become increasingly complex.   Now, at times I feel that I often walk a fragile line visually:  pushing the frame to include more and more, just up to ––  but falling short of ––  chaos.

I suspect that the roots of this affinity for visual complexity –– and my increasing embrace of greater and greater complexity within the frame ––  echoes my belief in the unimaginable complexity and surprise in the world, and street photography’s unique ability to capture this.   For me, walking the streets with a camera is about discovery, about discovering situations that are more surprising and more startling and more complex than any moment I could have ever imagined.   I’m intrigued how multiple states, multiple situations, and multiple moments, can co-exist and qualify one another.  I’m drawn to photographs that don’t just show the existence of one thing, but the simultaneous existence of many things, sometimes in ways that may seem paradoxical or contradictory.  In this sense, I feel that my photographs, more than anything else, raise questions:  How can that, and that, and that, all simultaneously co-exist?  What is the nature of this big, complex, unruly world out there that so defies our efforts to categorize it?  Photography can bring something back from that world that affirms a reality and, simultaneously –– and perhaps more importantly –– that expands on our understanding of that reality.

ON EXHIBITION PRINTS AND MAKING BOOKS

Alex Webb, Havana, 2004

Minh Carrico:  Alex, after a book is published, what criteria do you use for editing the images used for the book down to a smaller number of prints for exhibition in a museum or gallery?

AW: A book is a bit like a piece of music.  It needs high points and low points, stronger notes and quieter notes.    And like a piece of music, if a book of photographs were made only of high notes, there would be no relief from the intensity, no variation in rhythm, no real movement to carry the viewer through the sequence of the book.

Viewing a photograph on a wall, on the other hand, is a quite different experience than looking at the image in a book.  On a wall, the photograph becomes an object and demands to be experienced within its own parameters.  While the viewer’s experience of the photograph on the wall may be somewhat qualified by other photographs on the wall nearby, the viewer of a photograph in a book is often much more influenced by the immediate and lingering presence of the photographs near it in the book –– especially if there are photographs on the opposite page in the book.

So, when I choose photographs for an exhibition out of one of my books, I am looking for those images that demand to be seen on their own ––  that somehow validate a viewer spending time with these images in a gallery or museum and absorbing what it is they have to offer.  Of course, I want the exhibition to have coherence –– hopefully that echoes at least some of the musicality of the book ––  but I’m particularly concerned about whether each individual print that’s hung in the show creates its own rich and complex world.

MC: Rebecca, when editing and laying out your images for a book, how often and at what point do you consult with other people (photo editors, photographers, designer, etc) for advice in the selection and layout process?

RNW: Good question, but somewhat difficult to answer since every book is different.  I guess, generally, I’d say there are roughly three stages involved in creating a book.  The first is more private and involves listening intently and intuitively to the body of the work until the rough shape and rhythm of the book is revealed to you, enabling you to make a book dummy that reflects the unique world of that particular book.  The second is more collaborative –– showing the work to a few creative people you trust, which may be painters and poets as well as photographers and editors.  This process may help you illuminate and fine–tune your book dummy, until the sequence and rhythm feels right visually and conceptually and intuitively. With this version of the book dummy in hand, the third stage involves collaborating with a designer.  If you’re fortunate to work with the right book designer, your collaboration can result in a book design that strengthens and complements the work –– often in ways you never could have imagined at the beginning of the process.

Stella Kalaw, from the series "Cubao"

Stella Kalaw was born and raised in Manila, Philippines. She earned a BA in Communication Arts at Dela Salle University, Manila and a BA in Professional Photography at Brooks Institute of Photography in Santa Barbara, CA. Her work has been exhibited at the Singapore International Photography Festival, The Ayala Museum and at the Silverlens Gallery in Manila, Wall Space Gallery in Seattle, Kala Art Gallery in Berkeley and at the Rayko Gallery in San Francisco.  She was one of the first prize recipients for the People, Places & Things: an International competition celebrating En Foco’s 35th Anniversary and received an honorable mention at the 5th International Polaroid Awards. Stella is based in the San Francisco Area.

Stella’s website: http://www.kalaw.com

Stella’s blog: http://stellakalaw.blogspot.com

Stella’s work will be featured in the three-person show, Geography, at Rayko Gallery in San Francisco from Dec. 17th – Jan. 18th, 2010: http://raykophoto.com/?page_id=38

Minh Carrico, "Answering the Call," 2008, from the series, Circles of Identity

Minh Carrico brings his passion for visual communications and real world experiences to the classroom after 16 years of working as a designer, photographer, and producer in the advertising and magazine industries. Minh teaches design and photography at Edmonds Community College just outside of Seattle, WA, where he also serves as Faculty Co-chair of the Visual Arts Program. Outside of the classroom, Minh works on a number of fine art photography projects and art installations that address identity.

Minh began his career in 1991 as an editorial photographer while attending St. Edward’s University in Austin, Texas. He opened a commercial photography studio in 1993 and started making photographs for advertising and design projects. After six years, he moved to New York City and began a career in print graphic design. His design and photography clients includes 3M, Atlantic Records, Benjamin Moore Paints, Chris Buck, Detour Magazine, Michel Gondry, Annie Leibovitz, Martha Stewart Living Omnimedia, MTV, Time Out New York Magazine, and Whole Food Market, Inc.

Minh’s website: http://www.minhcarrico.com/