Posts Tagged ‘Ricco Maresca Gallery’

MY DAKOTA: Photo-Eye and Fraction

August 14, 2012

 

“This book of words and images is beautifully sad, sadly beautiful…The words and images work together to weave a deeper reading.

Looking for glimpses of the dead is not a new kind of quest in photography — we’ve been trying to make “spirit photographs” since the medium began. How Webb succeeds is through metaphor and symbol, which reveal themselves slowly as the pages turn. Her great loss is hidden in complex images that take several viewings to understand. They convey not just three but four dimensions.

On this journey through re-membered territory, the photographs illustrate the psychological and spiritual realities of the place. The barren land that is the Dakotas appears first, starting with the dust jacket image, a view of the Badlands through the greenish tint of a partially opened car window. Some patches of grass stubbornly cling to the sandy foreground, leading us to the striped mountains miles beyond. The frontispiece is of a buffalo glimpsed through a sideview mirror, seen as if on the other side of time. The Wild West, indeed.”—an excerpt from Ellen Wallenstein’s review of “My Dakota” in Fraction Magazine, August 2012

TO READ THE  COMPLETE FRACTION MAGAZINE REVIEW CLICK HERE.

©Rebecca Norris Webb, “Rearview Mirror,” from the book, “My Dakota”

 

©Rebecca Norris Webb, “State Map,” from the book, “My Dakota”

“…The book is not wrapped in nostalgia. Its strength lies in the layered photographs where Norris Webb is looking for something in the distance, but what it is is not clear. It could be a memory. There is something between her and what is out there. Reflections and windows play an important role in layering the images with mystery and a sense of disconnectedness. Each photograph is open to interpretation and that room allows the reader to find their own memory of loss to complete it. The language of Norris Webb’s photographs is personal, but universal.

As an object the book has an intimate feel to it. It is sized 11½x9¾”, which forces one to bring the book closer. South Dakota is a land of open spaces and that feeling is repeated in the book with the use of white space and blank pages. The photographs are given room to breathe, to let the pain have space. One of the strongest elements of the book is the use of Norris Webb’s handwriting in pencil. It adds to the feeling of a journal. Her unique penmanship streams across pages connecting the pictures to her personal narrative. The handwriting and the photograph printed on the cover are extra details that set Radius Books apart from other publishers. 

Norris Webb sets the book up as an elegy for her brother. The sense of loss is palatable, but it feels like a love poem for the land and for her brother. It is a not a South Dakota that can be found on any map. It exists only in the book and comes through clearly.”—TOM LEININGER, an excerpt from his Photo-Eye review of “My Dakota”

TO READ THE COMPLETE PHOTO-EYE REVIEW CLICK HERE.

©Rebecca Norris Webb, “High Winds,” from the book, “My Dakota”

UPCOMING WORKSHOPS WITH ALEX AND REBECCA

––Friday Oct. 12 thru Sunday Oct. 14: Boston: Weekend Workshop, produced by the Robert Klein Gallery  Do you know where you’re going next with your photography –– or where it’s taking you?  This intensive weekend workshop will help photographers begin to understand their own distinct way of seeing the world.  It will also help photographers figure out their next step photographically  –– from deepening their own unique vision to the process of discovering and making a long-term project that they’re passionate about, as well as the process of how long-term projects evolve into books and exhibitions. A workshop for serious amateurs and professionals alike, it will taught by Alex and Rebecca, a creative team who often edit projects and books together –– including their joint book and Museum of Fine Arts, Boston, exhibition, “Violet Isle: A Duet of Photographs from Cuba,” Alex’s recent Aperture book, “The Suffering of Light,” and Rebecca’s new Radius book, “My Dakota.” Included in the workshop will be an editing exercise as well as an optional photography assignment and long-term project review.  For more information –– including how to enroll and daily schedule –– please contact Maja at the Robert Klein Gallery: maja@robertkleingallery.com

––FRIDAY, OCTOBER 5TH, 7PM, THRU SUNDAY, OCT. 7TH, 6PM: “Finding Your Vision@ The Dahl Weekend Workshop with Alex and Rebecca Webb,” Rapid City, South Dakota.  Do you know where you are going with your photography — or where it is taking you? This workshop will include a gallery talk/walk through of the current “My Dakota” exhibit at The Dahl Arts Center in Rapid City, and a digital assistant who can answer any your digital photography issues. Graduate and undergraduate college credit available for teachers and others who are interested. For all Colorado photographers interested in this workshop — or photographers who would like to fly into Denver — please note that Rapid City is only a six-hour drive from Denver, Colorado.  For more information click here.  If you have questions about the workshop, feel free to contact Rebecca directly at rebeccanorriswebb@yahoo.com.

UPCOMING EVENTS FOR ALEX AND REBECCA:  AUGUST, SEPT., OCT.

NEW YORK

––THURSDAY, JUNE 21, thru August 17, 2012: RICCO MARESCA GALLERY, NY: “Weather,” a group exhibition with a selection of photographs from MY DAKOTA, 6-8 pm.  

SIOUX FALLS, SOUTH DAKOTA

––SATURDAY, SEPTEMBER 29, 11-11:45: “Here and There: The Photographs of Alex Webb and Rebecca Norris Webb,” South Dakota Festival of Books, Orpheum Anne Zabel Theater, with “My Dakota” and “The Suffering of Light” book signing to follow at 1pm with other festival authors.

RAPID CITY, SOUTH DAKOTA

–FRIDAY, OCTOBER 5, 7-8:30pm: “Together and Apart: The Photographs of Alex Webb and Rebecca Norris Webb,” Dahl Arts Center, will include the “Our Dakota” slide show, Q&A with the Webbs, and book signing.

––JUNE-SEPTEMBER 2012: Launch of OUR DAKOTA Flickr site, an online photographic community  This Flickr group is open to all photographers 15 and older with a present or past connection to South Dakota.  Here is the link to the first assignment. There will be three assignments posted during the course of the “My Dakota” exhibition at the Dahl, and the group will culminate in an “Our Dakota” slide show to be show both at the SD Festival of Books in Sioux Falls the last week in September 2012 and at the Dahl Arts Center in Rapid City on Friday, Oct. 5th, at 7pm.

BOSTON

FRIDAY, OCTOBER 12, 7-8:30 PM: Slide Talk with Alex and Rebecca in the Fort Point arts neighborhood of Boston, a talk which is free and open to the public

SATURDAY, OCTOBER 13, 4-5PM: Gallery Talk/Walk Through with Rebecca of her “My Dakota” show with the Robert Klein Gallery at Ars Libri, followed by a Q&A with Rebecca and Alex, who edited “My Dakota” with Rebecca.

OTHER RECENT LINKS FOR ALEX AND REBECCA:

LINK TO THE NEW YORK TIMES LENS BLOG Q&A WITH REBECCA ABOUT “MY DAKOTA”

LINK TO ALEX’S EAST LONDON PHOTOGRAPHS IN THE AUGUST 2012 ISSUE OF NATIONAL GEOGRAPHIC.

WEATHER SHOW AT RICCO MARESCA GALLERY IN NEW YORK CITY THRU FRIDAY, AUGUST 17TH.

Rebecca’s “My Dakota” work in Ricco Maresca Gallery’s “Weather” show in New York City.  The last day of the show is Friday, August 17th.

WEATHER @ Ricco Maresca Gallery, June 21-Aug. 17

June 18, 2012

©Rebecca Norris Webb, “Storm Light,” from the new book, “My Dakota,” featured in this summer’s “Weather” show at Ricco/Maresca Gallery in NYC

In this land of flash floods and blizzards, hail storms and brutal winds, it’s rare to meet a South Dakotan who hasn’t been humbled by the weather.   

For me, it happened when I was driving home for the holidays from college with my younger sister, Mary.  We had just filled up her old Toyoto with gas in Wall, South Dakota, and were again heading West on I-90 after six hours of  painstakingly slow driving on snow-packed, slippery roads. We were both relieved to be on the “home stretch” to our parents’ place in the Black Hills because the radio’s winter weather warnings were urging all cars off the roads –- including the interstate, because, if the blizzard weren’t enough, there were also treacherous subzero windchill temperatures to contend with.  Was it 20 below? Thirty below?  I think it was starting to snow again, or perhaps it never really stopped…

All I remember for sure is that we were one of the last cars left on the road that Christmas Eve, that the sun was setting, and, that, all of a sudden Mary’s old car rolled to a halt.  We looked at each other –- pre-med student to poetry student –– in the rapidly dimming light, both of us too afraid to say what was really on our minds –- if we didn’t make the right decisions now, enough exposure to such bone-chilling temperatures could lead to the loss of fingers or toes, and lengthy exposure could be lethal.  Did I mention this was before cell phones?  I was the older, but Mary was the physically stronger of the two of us.  Who would stay and who would venture out for gas?  And exactly how far away was the gas station?  It seemed only a few minutes ago we’d filled up — and Mary, more the scientist than I –– was probably the first one to suspect that water in the gas from Wall was to blame for the car’s freezing up.  Could it be, however, that we’d actually been driving more like 10 or 15 minutes since the Wall gas stop ––  and , if so, just how many miles would that turn out to be?  

I remember staring long and hard into my sister’s dark brown, thoughtful eyes.  Before either of us could speak, one of those usually annoying, road-hogging semi-trailer trucks pulled up behind us and offered us a ride to the nearest gas station. I was never so thankful to be squooshed into such tight quarters with my sister in that wonderfully stuffy, musty cab that smelled of diesel and tobacco…I remember feeling oddly giddy as I clutched my AAA card in my right hand, which just wouldn’t stop shaking.–Rebecca Norris Webb

–“My Dakota” Q&A with Rebecca and Jim Estrin on the New York Times Lens Blog.

–Link to “My Dakota,” which was recently featured on the New Yorker Photo Booth blog.

–Link to “Weather” mentioned on Elizabeth Avedon’s blog.

–Link to “My Dakota” at the Dahl Arts Center in Rapid City, June 1-Oct. 13, 2012.

–Link to “My Dakota” on Aperture’s Exposures blog.

“My Dakota” on Time Magazine’s Light Box

©Rebecca Norris Webb, “Homestead Blizzard,” from the book, “My Dakota,” is part of the Weather” show at Ricco/Maresca Gallery, NYC

UPCOMING EVENTS: JUNE, JULY & AUGUST

NEW YORK

––THURSDAY, JUNE 21, RICCO MARESCA GALLERY, NY: “Weather,” a group exhibition with a selection of photographs from MY DAKOTA, 6-8 pm.  The exhibition runs through August 17.

RAPID CITY, SD

––JUNE-SEPTEMBER 2012: Launch of OUR DAKOTA Flickr site, an online photographic community  This Flickr group is open to all photographers 15 and older with a present or past connection to South Dakota.  Here is the link to the first assignment. There will be three assignments posted during the course of the “My Dakota” exhibition at the Dahl, and the group will culminate in an “Our Dakota” slide show to be show both at the SD Festival of Books in Sioux Falls the last week in September 2012 and at the Dahl Arts Center in Rapid City on Friday, Oct. 5th, at 7pm.

––TUESDAY, AUGUST 7TH: “Slide Talk with Alex Webb and Rebecca Norris Webb” at the “My Dakota” exhibition at the Dahl.  11:30-12:30pm.  Brown bag lunch event in the Ruth Brennan Gallery.  Free and open to the public.

CHARLOTTESVILLE, VIRGINIA

June 1-30, 2012. “The Suffering of Light: 30 Years of Photographs,” at the Second Street Gallery, Charlottesville, VA

SNOWMASS, COLORADO:

TUESDAY, JULY 7-8pm:“Together and Apart: The Photographs of Alex Webb & Rebecca Norris Webb,” Schermer Hall, Anderson Ranch Campus, Snowmass, Colorado.  Q&A with the Webbs and book signing of “The Suffering of Light” and “My Dakota” to follow.

UPCOMING WORKSHOPS WITH ALEX AND REBECCA

>Friday evening, Oct. 5, thru Sunday, Oct. 7 pm: FINDING YOUR VISION WORKSHOP @ THE DAHL, Rapid City, South Dakota. Discount for members of the Dahl Arts Center.

Sunday, Oct. 21st through Sat., Oct. 27th, 2012: PROJECT WORKSHOP 2012 @ CAPTION GALLERY, DUMBO, BROOKLYN.  A small intimate workshop where participants spend a week editing and sequencing a long-term project, working on the text for it, and working with a designer on a cover. There will also be presentations about bookmaking including one by a photo book editor or publisher.  Former students are invited to apply, but other photographers will be considered as well.  This small workshop is almost full, so please contact Rebecca as soon as possible if you are interested: rebeccanorriswebb@yahoo.com.

ADDITIONAL LINKS FOR ALEX AND REBECCA:

Alex’s interview with Geoff Dyer at the LOOK3 Photography Festival featured on The New York Times Magazine’s blog, THE SIXTH FLOOR.
Alex’s recent work on Treece, a toxic U.S. town, in The New York Times Magazine.
Alex’s interview with Alessia Glaviano for Italian Vogue

See Alex and Rebecca’s photos and others from Magnum’s House of Pictures project in Rochester here

See Rebecca’s My Dakota in progress at Radius Books

Q&A with Rebecca and Sarah Rhodes on Timemachine

To read the Robert Klein Gallery Tripod Blog Q&A with Rebecca.

Read more about Magnum’s House of Pictures project in the New Yorker and see Alex’s photo of the day, April 24th.

Alex’s “The Suffering of Light” exhibition at Forma, Milan, featured in Italian Vogue.

WEATHER group show at Ricco/Maresca Gallery, June 21-Aug. 17, 2012

MY DAKOTA: A Special Photograph, A Special Night

June 5, 2012

©Alex Webb, Rebecca’s father at the “My Dakota” opening at the Dahl

It felt right that the first exhibition of “My Dakota” opened in the Black Hills of South Dakota where I grew up.  So many  friends — both old and new — showed up, including Ruth Brennan, the former Dahl director whom the gallery was named after where “My Dakota” is currently on exhibit.  Ruth is an amazing, dynamic woman who was the driving force behind the creation of this wonderful museum and performing arts center in Rapid City.

One of my favorite moments of the evening was photographed by Alex (above)– my 92-year-old dad looking at the photograph of himself that’s in the exhibition, and — just outside the frame — my 85-year-old mom walking not far behind.  A special photograph of a special night that I will long remember.––Rebecca Norris Webb

Link to “My Dakota,” which was recently featured on the New Yorker Photo Booth blog.

Link to “My Dakota” at the Dahl Arts Center in Rapid City, June 1-Oct. 13, 2012.

©Alex Webb, “Lost and Loss” installation of “My Dakota” at the Dahl

UPCOMING EVENTS: JUNE & JULY

NEW YORK

––THURSDAY, JUNE 21, RICCO MARESCA GALLERY, NY: “Weather,” a group exhibition with a selection of photographs from MY DAKOTA, 6-8 pm.  The exhibition runs through August 17.

RAPID CITY, SD

––JUNE-SEPTEMBER 2012: Launch of OUR DAKOTA Flickr site, an online photographic community  This Flickr group is open to all photographers 15 and older with a present or past connection to South Dakota.  There will be three assignments posted during the course of the “My Dakota” exhibition at the Dahl, and the group will culminate in an “Our Dakota” slide show to be show both at the SD Festival of Books in Sioux Falls the last week in September 2012 and at the Dahl Arts Center in Rapid City on Friday, Oct. 5th, at 7pm.

––TUESDAY, AUGUST 7TH: “Slide Talk with Alex Webb and Rebecca Norris Webb” at the “My Dakota” exhibition at the Dahl.  12-1pm.  Check the Dahl website midJune for more details about this free event.

CHARLOTTESVILLE, VIRGINIA

SATURDAY, JUNE 9,  AT LOOK3 PHOTOGRAPHY FESTIVAL

4-6pm Alex Webb in conversation with noted writer and cultural critic Geoff Dyer

6-7pm: Book signing with Alex Webb, Rebecca Norris Webb, and Geoff Dyer at the Second Street Gallery

9pm: “My Dakota” in the WORKS slide show

SNOWMASS, COLORADO:

TUESDAY, JULY 7-8pm:”Together and Apart: The Photographs of Alex Webb & Rebecca Norris Webb,” Schermer Hall, Anderson Ranch Campus, Snowmass, Colorado.  Q&A with the Webbs and book signing of “The Suffering of Light” and “My Dakota” to follow.

UPCOMING WORKSHOPS WITH ALEX AND REBECCA

>Friday evening, Oct. 5, thru Sunday, Oct. 7 pm: FINDING YOUR VISION WORKSHOP @ THE DAHL, Rapid City, South Dakota. Discount for members of the Dahl Arts Center.

Sunday, Oct. 21st through Sat., Oct. 27th, 2012: PROJECT WORKSHOP 2012 @ CAPTION GALLERY, DUMBO, BROOKLYN.  A small intimate workshop where participants spend a week editing and sequencing a long-term project, working on the text for it, and working with a designer on a cover. There will also be presentations about bookmaking including one by a photo book editor or publisher.  Former students are invited to apply, but other photographers will be considered as well.  This small workshop is almost full, so please contact Rebecca as soon as possible if you are interested: rebeccanorriswebb@yahoo.com.

ADDITIONAL LINKS FOR ALEX AND REBECCA:
“My Dakota” on Time Magazine’s Light Box
Alex’s recent work on Treece, a toxic U.S. town, in The New York Times Magazine.
Alex’s interview with Alessia Glaviano for Italian Vogue

See Alex and Rebecca’s photos and others from Magnum’s House of Pictures project in Rochester here

See Rebecca’s My Dakota in progress at Radius Books

Q&A with Rebecca and Sarah Rhodes on Timemachine

To read the Robert Klein Gallery Tripod Blog Q&A with Rebecca.

Read more about Magnum’s House of Pictures project in the New Yorker and see Alex’s photo of the day, April 24th.

Alex’s “The Suffering of Light” exhibition at Forma, Milan, featured in Italian Vogue.

©Alex Webb, “My Dakota” at the Dahl, Rapid City, SD

My Dakota: S.D. Opening; New Yorker Photo Booth

June 1, 2012

©Alex Webb, Rebecca installing the “My Dakota” at the Dahl Arts Center in Rapid City, SD

Rebecca and I are very glad to be in Rapid City, South Dakota,  for the opening of her “My Dakota” exhibition at the Dahl Arts Center.   As one can see in these installation shots, Rebecca is echoing the form of the book through writing some of her text pieces directly on the wall.    

With this exhibition and book, Rebecca has managed to create something of poignant beauty and poetic resonance out of a family tragedy ––  her brother’s untimely death.  So this opening is particularly special because Rebecca’s father and mother, aged 92 and 85, are coming to the opening.

Also a nice coincidence: the New Yorker Photo Booth blog,  is running a piece on Rebecca’s book today.––Alex Webb                                                                                 

UPCOMING EVENTS: JUNE & JULY

NEW YORK

––THURSDAY, JUNE 21, RICCO MARESCA GALLERY, NY: “Weather,” a group exhibition with a selection of photographs from MY DAKOTA, 6-8 pm.  The exhibition runs through August 17.

RAPID CITY, SD

––FRIDAY, JUNE 1, RAPID CITY, SOUTH DAKOTA: “My Dakota” exhibition opening and book signing, Dahl Arts Center, 5-7pm.  The exhibition will run until October 13, 2012.

––FRIDAY, JUNE 1: Launch of OUR DAKOTA Flickr site, an online photographic community

CHARLOTTESVILLE, VIRGINIA

SATURDAY, JUNE 9,  AT LOOK3 PHOTOGRAPHY FESTIVAL

4-6pm Alex Webb in conversation with noted writer and cultural critic Geoff Dyer

6-7pm: Book signing with Alex Webb, Rebecca Norris Webb, and Geoff Dyer at the Second Street Gallery

9pm: “My Dakota” in the WORKS slide show

SNOWMASS, COLORADO:

TUESDAY, JULY 7-8pm:”Together and Apart: The Photographs of Alex Webb & Rebecca Norris Webb,” Schermer Hall, Anderson Ranch Campus, Snowmass, Colorado.  Q&A with the Webbs and book signing of “The Suffering of Light” and “My Dakota” to follow.

UPCOMING WORKSHOPS WITH ALEX AND REBECCA

>Friday evening, Oct. 5, thru Sunday, Oct. 7 pm: FINDING YOUR VISION WORKSHOP @ THE DAHL, Rapid City, South Dakota. Discount for members of the Dahl Arts Center.

ADDITIONAL LINKS FOR ALEX AND REBECCA:
Alex’s interview with Alessia Glaviano for Italian Vogue

See Alex and Rebecca’s photos and others from Magnum’s House of Pictures project in Rochester here

See Rebecca’s My Dakota in progress at Radius Books

Q&A with Rebecca and Sarah Rhodes on Timemachine

To read the Robert Klein Gallery Tripod Blog Q&A with Rebecca.

Read more about Magnum’s House of Pictures project in the New Yorker and see Alex’s photo of the day, April 24th.

Alex’s “The Suffering of Light” exhibition at Forma, Milan, featured in Italian Vogue.

©Alex Webb, Rebecca writing the “Lost and Loss” text during the installation of her “My Dakota” exhibition @ the Dahl Arts Center in Rapid City, South Dakota

MY DAKOTA: TimeLightbox and ICP

May 21, 2012

©Rebecca Norris Webb, “Storm Light,” from My Dakota (Radius, May 21, 2012)

In 2005, I set out to photograph my home state of South Dakota, a sparsely populated frontier state on the Great Plains with more buffalo, pronghorn, coyotes, mule deer, ring-necked pheasants, and prairie dogs than people. It’s a landscape dominated by space and silence and solitude, by brutal wind and extreme weather. I was trying to capture a more intimate and personal view of the West.  I was trying to capture what all that space feels like to someone who grew up there.  A year into the project, however, everything changed.  One of my brothers died unexpectedly.  For months, one of the few things that eased my unsettled heart was the landscape of South Dakota.  It seemed all I could do was drive through the badlands and prairies and photograph.  I began to wonder: Does loss have its own geography?

That first year of grieving was a blur of motel rooms, back roads, and dreams of my brother.  I still remember, however, one particularly elusive, haunted, dreamlike image.  One overcast day on a deserted country road in the Missouri River valley, I was startled by a flock of some thousand blackbirds.  I was mesmerized by how the birds flew through the stormy, unsettled Western sky as if they were one huge, dark, undulating, ravenous creature, picking clean the remains of the corn and sunflower fields in the last days of autumn.

To read the rest of the Time LightBox story about the making of “My Dakota” by Rebecca, please follow this link.  

BELOW: INFORMATION AND LINKS TO THURSDAY’S ICP BOOK LAUNCH OF “MY DAKOTA”

©Rebecca Norris Webb, “Blackbirds,” from My Dakota (Radius, May 21, 2012)

UPCOMING EVENTS: MAY & JUNE

NEW YORK

––THURSDAY, MAY 24, NEW YORK, NY: My Dakota book launch at ICP, May 24″ href=”http://www.icp.org/events/2012/may/24/book-signing-rebecca-webb-norriss-my-dakota” target=”_blank”>My Dakota book launch, party and book signing at ICP (43d and Sixth Ave), 6-7:30.

––THURSDAY, JUNE 21, RICCO MARESCA GALLERY, NY: “Weather,” a group exhibition with a selection of photographs from MY DAKOTA, 6-8 pm.  The exhibition runs through August 17.

RAPID CITY, SD

––FRIDAY, JUNE 1, RAPID CITY, SOUTH DAKOTA: “My Dakota” exhibition opening and book signing, Dahl Arts Center, 5-7pm.  The exhibition will run until October 13, 2012.

––CHARLOTTESVILLE, VIRGINIA

SATURDAY, JUNE 9,  AT LOOK3 PHOTOGRAPHY FESTIVAL

4-6pm Alex Webb in conversation with noted writer and cultural critic Geoff Dyer

6-7pm: Book signing with Alex Webb and Rebecca Norris Webb at the Second Street Gallery

9pm: “My Dakota” in the WORKS slide show

UPCOMING WORKSHOPS WITH ALEX AND REBECCA

>Friday evening, Oct. 5, thru Sunday, Oct. 7 pm: FINDING YOUR VISION WORKSHOP @ THE DAHL, Rapid City, South Dakota. Discount for members of the Dahl Arts Center.

ADDITIONAL LINKS FOR ALEX AND REBECCA:
Alex’s interview with Alessia Glaviano for Italian Vogue

See Alex and Rebecca’s photos and others from Magnum’s House of Pictures project in Rochester here

See Rebecca’s My Dakota in progress at Radius Books

Q&A with Rebecca and Sarah Rhodes on Timemachine

To read the Robert Klein Gallery Tripod Blog Q&A with Rebecca.

Read more about Magnum’s House of Pictures project in the New Yorker and see Alex’s photo of the day, April 24th.

Alex’s “The Suffering of Light” exhibition at Forma, Milan, featured in Italian Vogue.

Rebecca Norris Webb, cover of "My Dakota" (Radius Books, May 21, 2012)

POSTINGS: October 2010

October 18, 2010

This month, we are featuring TWO NEW PUBLICATIONS (including David Alan Harvey’s BURN, which is in print for the very first time), TWO OPENINGS in New York, TWO EVENTS at a brand new photography festival, called INVISION, TWO VIEWS of photographer  JULIE BLACKMON, and a FAREWELL to Canadian writer and photographer, JULIE MASON. –Alex Webb and Rebecca Norris Webb

BURN in Print

TWO NEW PUBLICATIONS: BURN and NOMADS

For everyone who has been following Magnum photographer DAVID ALAN HARVEY‘s award-winning online magazine, BURN, there’s now a print edition in the form of a 300-page book showcasing 25 photographers’ work, including ROGER BALLEN, JAMES NACHTWEY, as well many talented emerging photographers.  (Alex and I were honored to be asked to contribute a selection of photographs from VIOLET ISLE, our joint book on Cuba.) You can see a selection of the work — and read James Estrin’s piece — on the New York Times Lens Blog.  To see page samples from the new book, as well as order your own copy of BURNo1 — an edition of only 1,000 copies — visit the BURN web site.

There’s also a new online travel photography magazine with a twist:  the photographers — including ERNESTO BAZAN and ED KASHI — also supply the writing, in the form of journals, poetry, or other text pieces that accompany their images.  Called NOMADS, this beautifully designed, thoughtful, and often visually surprising online magazine is the brainchild of the insightful photographer/educator LAURI LYONS and her talented staff.  –Rebecca Norris Webb

NOMADS online magazine, cover of the first issue

TWO OPENINGS: NEW YORK CITY

Slota/LaBute collaboration, Ricco Maresca Gallery, NY

 

We wanted to note the opening of two exhibitions this week, both on THURSDAY, OCTOBER 21.

At RICCO MARESCA GALLERY, photographer GERALD SLOTA collaborates with the playwright, screenwriter, and film director, NEIL LABUTE.  Apparently the two of them met via email and decided to collaborate, creating a series of strange greeting cards, wherein LaBute would attempt to probe Slota’s psyche, and Slota would respond to Labute’s words in the form of images.  Slota’s photographs often push the edge of photographic technique, often distressing the image, by scratching on it or adding to it.  His work can be darkly psychological — as can the work of LaBute, who’s been called “America’s misanthrope par excellence” by the UK’s Independent. You can read more about the Slota/LaBute collaboration in the current issue of Fluence.

At 601 ARTSPACE, ROBERT BLAKE, formerly director of the General Studies Program at ICP, has curated a show of the work of JOE RODRIGUEZ and MARTIN WEBER, entitled “Cultural Memory Matters.” Both these photographers in very different ways have explored some of the issues surrounding cultural identity and heritage.  While Rodriguez, born in Brooklyn of Puerto Rican descent, approaches the world in a traditional documentary manner, photographing life as played out in front of the camera, Weber, from Argentina, often uses text pieces in the images, transforming or qualifying the viewer’s understanding of the photograph.  It should be interesting to see their work side by side.–Alex Webb


Rodriguez/Weber in "Cultural Memory Matters" at 601 ArtSpace

TWO MORE:  THE SHORT LIST

ALIA MALLEY has work in the SHFT New York pop-up gallery show, 112 Greene St., between Prince and Spring Streets, which opens on Thursday, October 21st, from 6-8pm.

RAJIV KAPOOR has an exhibit, “Paradoxes of Living on Holy Land,” at Seattle University’s Vachon & Kinsey Galleries, which is up through December 3.

TWO EVENTS:  New Photography Festival in Pennsylvania

Alex Webb, Palm Beach County, Florida, 1988, from "The Sunshine State"

We hope some of you can join us at a new photography festival, called INVISION, the first weekend in NOVEMBER, in Bethlehem, Pennsylvania, a short drive/bus ride from NEW YORK.  On Saturday evening, November 6, I will show a selection of work — featuring some of Rebecca’s photographs, too — as part of a weekend of photography with presentations by LARRY FINK, NICK NICHOLS, and PETER VAN AGTMAEL.

On Sunday, NOVEMBER 7, Rebecca and I, joined by others from the photography world, will conduct a series of portfolio reviews. (We understand there are only 30 slots available.)–Alex Webb

Rebecca Norris Webb, "After the Fire," Hermosa, SD, 2010, from "My Dakota"

 


TWO VIEWS:  Julie Blackmon

Julie Blackmon, from "Line-Up" exhibition at Robert Mann Gallery, NY

 

If you’re in New York, this is the last week to visit the JULIE BLACKMON show, LINE-UP, at the ROBERT MANN GALLERY, which is up through Saturday, October 23d.   Julie, like me, is the member of a large family — although, unlike me, she is the eldest of nine children, and I’m in the middle of five — and, when looking at her photographs in this exhibition, one can’t help but be transported back to one’s own childhood, with its terrors and its chaos and its comic antics.  Julie’s genius is that this childhood is seen through the prism of the Dutch Renaissance painters, especially Jan Steen’s domestic scenes,  and her beautiful prints are a mix of the staged, the improvised, and the photo-shopped — you can’t get more 21st Century than that!  Her marvelous first book, Domestic Vacations, is a welcome addition to any photographic library.–Rebecca Norris Webb

Julie Blackmon, from "Line-Up" at the Robert Mann Gallery, NY

A FAREWELL:  Julie Mason

Julie Mason by Julie Oliver, Ottawa Citizen

Alex and I like to think of our photographic workshops as communities, and it is with a heavy heart that I say goodbye to one of our treasured members, JULIE MASON, who died last weekend of ovarian cancer.  To honor Julie’s long commitment to social justice, health, and women’s issues, here is a video tribute to her from the Canadian House of Commons.

Alex and I had the pleasure of working with her on a long-term photographic project at the Fine Arts Work Center in Provincetown, Massachusetts, as well as with her photographs during the Magnum Workshop in Toronto last May.  Julie, a gifted Canadian writer who was finding her way in her other passion, photography, gave as much — if not more — to Alex and myself, as we probably gave to her.  I was struck by her insights and her compassion and her generosity.  I remember last May after struggling through a presentation of “My Dakota,” an elegy for my brother, Dave, Julie took me aside and quietly mentioned her cancer.  She had not fear in her voice but love.  She was only telling me because she was concerned that her granddaughers, who meant the world to her, wouldn’t remember her.  I told her how important photographs were to my late brother’s two daughers and son.  So, together, we came up with the idea of  a “memory box,” with a mix of her photographs, writings, and momentos of times with her granddaughters to give to each of them.  Whether Julie had the time to create these objects is immaterial.  The memories of Julie, themselves, are the best memory box for any grandchild.

For those who knew Julie, and would like to leave a memory, Alex and I invite you to leave a comment in celebration of her life.  I guess, in a way, this POSTINGS column, is a kind of memory box for Julie.  For spending time in Julie’s presence was a gift to each of us who had the good fortune to have known her — no matter for how long.–Rebecca Norris Webb

VIOLET ISLE: In the New Yorker

December 29, 2009
This week’s New Yorker includes a review of the Violet Isle show at Ricco Maresca Gallery, whose last day is Saturday, Jan. 2nd.
Violet Isle at Ricco Maresca Gallery
from The New Yorker:

ALEX WEBB AND REBECCA NORRIS WEBB

This married couple shows color photographs from several trips to Cuba that emphasize the easy compatibility of their distinct visual styles. Alex usually takes a broad view of streetscapes complicated by shadows, reflections, and arrested movement; he has a filmmaker’s ability to find the skewed but perfect balance in a scene that threatens to spin out of control. Rebecca tends to focus on details, framing intriguing still-lifes and capturing marvellous shots of birds, including a pigeon that appears to be flying away from a freshly laid egg. Both Webbs use color like the Fauves—in hot, vibrant swatches and pungent accents. The results are the opposite of tourist views: pictures that are generated and animated by their subjects, never imposed on them. Through Jan. 2. (Ricco/Maresca, 529 W. 20th St. 212-627-4819.)

VIOLET ISLE

November 8, 2009

Thanks to everyone who helped us celebrate the book launch and exhibition opening of Violet Isle. Some of you who couldn’t attend the opening in New York requested to see some of the installation photographs.   We are also including our first glimpse of the limited edition version of the book, which made its debut at Ricco Maresca Gallery last week.  The design of this limited edition prototype was inspired by the handmade book workshop in Matanzas, Cuba, which often incorporates cardboard, string, and other everyday materials in their book designs.

For those of you who missed the opening and gallery talk,  the Violet Isle exhibition at Ricco Maresca runs through Saturday, January 2, 2010.-–Alex and Rebecca

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Photo courtesy of Ricco Maresca Gallery.

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Photo courtesy of Ricco Maresca Gallery.

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Below are photographs of a prototype of the limited version of Violet Isle, which comes in an edition of 40 with two 11×14 prints.

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VIOLET ISLE: Book signing/gallery talk

November 6, 2009

Hope some of you can join us for the Violet Isle book signing/gallery talk on Saturday, Nov. 7th, from 4-6pm at Ricco Maresca Gallery, 529 W. 20th, 3rd floor (between 10th and 11th Aves.).––Alex and Rebecca

Click here to see pages from the newly released Violet Isle on the Magnum site.

Click on Violet Isle invitation to see a selection from the current exhibition at Ricco Maresca Gallery.

TWO EVENTS: Violet Isle

November 2, 2009

Webb_eblast


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