Posts Tagged ‘Max Kozloff’

NEW BOOK: Book Launch @ Aperture, June 1st

May 30, 2011

Alex Webb, cover of "The Suffering of Light" (Aperture), with an essay by Geoff Dyer

 

Please join us to celebrate the launch of Alex’s new book, The Suffering of Light, at Aperture at 6:30pm, which will include a conversation with photographer and critic Max Kozloff and a booksigning afterwards. (To take a look inside Alex’s new book, follow this link to the PhotoEye site.) And here’s a link to a portfolio of Alex’s work from the new book on the La Lettre site, courtesy of the Robert Klein Gallery in Boston, which will have a joint show of our work on Saturday, September 17th, from 2-4pm.

And below you’ll find a rough, homemade video of our Violet Isle show at the Museum of Fine Arts, Boston, an exhibition mentioned in The New York Times on Sunday and reviewed in The Boston Globe on Tuesday, May 31st.   For those who are part of the “Two Looks” online community, please let us know if you get a chance to see Violet Isle at the MFA, Boston, which will be up until January 16, 2012.

By the way, if you visit the MFA by June 16th, be sure and stop by and see the photography show, “Conversations: Photography from the Bank of America Collection,” which includes work by such noted photographers as Lee Friedlander, Diane Arbus, Julia Margaret Cameron, Wright Morris, Alec Soth, William Eggleston, Robert Frank, Mitch Epstein, Larry Sultan, Mike Smith, and Helen Levitt.–Rebecca Norris Webb

Notes on “The Suffering of Light” @ Time.com

May 16, 2011

Alex Webb, "Erie, Pennsylvania, 2010," from "The Suffering of Light"

Perhaps it’s the poet in me, but I love the irony of being able to hold in my hands a series of intangible moments — and Alex’s new book of 30 years of color work is no exception.  

To see a slide show of images  — including the one above from Erie, Pennsylvania, which was the last photograph Alex took for THE SUFFERING OF LIGHT during a road trip with me driving from New York to South Dakota last summer, and, appropriately, the last photograph in the book — and to read Alex’s notes on the bookmaking process, please follow this link to TIME.COM, where you can also leave your comments.

In addition, here’s a link to an excerpt of the Geoff Dyer essay about Alex in the book, an excerpt recently posted on the GUARDIAN website.

For those in the New York area, please join us for the book launch of THE SUFFERING OF LIGHT at Aperture Foundation, 547 W. 27th on WEDNESDAY, JUNE 1st at 6:30pm, which will include a conversation with noted critic Max Kozloff as well as a book signing. Alex and I hope to see many of you there.–Rebecca Norris Webb

TWO VIEWS: Cuba

October 5, 2010

Lee Lockwood, Fidel Castro

There are two exhibitions about Cuba at the Center for Cuban Studies/Cuban Art Space: “Cuba: The Decade After,” photographs by LEE LOCKWOOD and “The Years Before: 1945-1958,” photographs by CONSTANTINO ARIAS.  Both photographers’ work — in very different ways — give insights into Cuba’s past.  Lockwood, who died this past summer, was a committed political photojournalist (and journalist) who was probably best known for his marathon interview with Castro, which apparently took place over a week and was published as a book with Lockwood’s photographs.  It’s fascinating to see his intimate photographs of the young Castro.    He was also a founder of the Center for Cuban Studies.  Arias, known familiarly as the “Cuban Weegee,”  recorded Cuban life in the 1940’s and 50’s.  His work gives a palpable sense of the world of that era, documenting nightclubs, society, as well as life on the streets.  A catalogue of Arias’s work, with an introduction by Max Kozloff, is also available from the Center for Cuban Studies.  You’ll also find both photographers work is in the current ICP exhibition, “Cuba in Revolution,” which also includes work by KORDA, CORRALES, CARTIER-BRESSON, BURRI, GLINN, among others, and which is up through January 9, 2011.—ALEX WEBB and REBECCA NORRIS WEBB

Constantino Arias, Havana, Cuba


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