Posts Tagged ‘Alec Soth’

MEMORY CITY: A Thank You

April 29, 2012

©Alex Webb, Installation of work-in-progress of "Memory City" (by Alex Webb & Rebecca Norris Webb) at the "House of Pictures" works-in-progress reception at the Visual Studies Workshop, Rochester, NY, Saturday evening, April 28th, 2012

Rebecca and I would like to thank everyone who’s been following our making of “Memory City,” which we now think –– with the addition of one or two more trips to Rochester –– may one day be a small book.  We are hoping to make our second trip this July.

As many of you already know, “Memory City” is connected to a larger Magnum project in Rochester called “House of Pictures,” so we’d like to give a special thanks to my Magnum colleagues who participated in the “House of Pictures” –– Alec Soth, Larry Towell, Susan Meiselas, Paolo Pellegrin, Bruce Gilden, Donovan Wylie, Jim Goldberg, Alessandra Sanguinetti, Chien-Chi Chang, and Martin Parr.

Additionally, we couldn’t have made it this far in our creative journey without the help of a whole community of people: the Visual Studies Workshop, the George Eastman House Museum especially photography curator Alison Nordstrom, Rick Hock and Claire Wearn, the master printer Ed Praus,  the Magnum Photos staff, the photography department at RIT with a special thanks to the photographer Willie Osterman and our invaluable, tireless and enthusiastic production team ––RIT students Madison McKenna, Amanda Webster, Christian Whitworth, and Brenda Bingham –– and, lastly, and perhaps most importantly, all the people of Rochester who were gracious enough to invite us into their homes and into their lives.––Alex Webb


UPCOMING EVENTS: APRIL, MAY & JUNE

MILAN AND BOLOGNA

––FRIDAY, MAY 4, MILAN, ITALY: “Together and Apart: Photographs of Alex Webb and Rebecca Norris Webb,” at Forma, which will simultaneously have Alex’s The Suffering of Light exhibition in the gallery (Slide talk by invitation only, but former students, friends, member of the Two Looks online community, and press are welcome.  Space is limited, so please contact Alex and Rebecca to reserve one of the limited seats: webbnorriswebb@gmail.com)

––SATURDAY, MAY 5TH, MILAN, ITALY:  Two book launches, featuring the work of Alex Webb and Rebecca Norris Webb at the MIA photography festival, 8 pm

––MONDAY, MAY 7, BOLOGNA, ITALY: “Together & Apart: Photographs of Alex Webb and Rebecca Norris Webb. 5 pm

NEW YORK

––THURSDAY, MAY 24, NEW YORK, NY: My Dakota book launch at ICP, May 24″ href=”http://www.icp.org/events/2012/may/24/book-signing-rebecca-webb-norriss-my-dakota” target=”_blank”>My Dakota book launch, party and book signing at ICP (43d and Sixth Ave), 6-7:30.

RAPID CITY, SD

––FRIDAY, JUNE 1, RAPID CITY, SOUTH DAKOTA: “My Dakota” exhibition opening and book party, Dahl Arts Center, 6-8pm.  The exhibition will run until October 13, 2012.

––CHARLOTTESVILLE, VIRGINIA

SATURDAY, JUNE 9,  AT LOOK3 PHOTOGRAPHY FESTIVAL

4-6pm Alex Webb in conversation with noted writer and cultural critic Geoff Dyer

6-7pm: Book signing with Alex Webb and Rebecca Norris Webb at the Second Street Gallery

9pm: “My Dakota” in the WORKS slide show

ADDITIONAL LINKS FOR ALEX AND REBECCA:

See Alex and Rebecca’s photos and others from Magnum’s House of Pictures project in Rochester here.

Read more about Magnum’s House of Pictures project in the New Yorker and see Alex’s photo of the day, April 24th.

Alex’s “The Suffering of Light” exhibition at Forma, Milan, featured in Italian Vogue.


MEMORY CITY: Rochester in 36 Exposures

April 18, 2012

Alex and Rebecca's Kodak Express Heading to Rochester's House of Pictures

Until the end of April, Rebecca and I will be working on a joint project in Rochester, NY, which will be part of a larger Magnum project, “House of Pictures,”  a continuation of their “Postcards from America” project.

As two photographers who have long used Kodak film –– for me, Kodachrome; for Rebecca, Portra –– we both like the idea of  exploring Rochester, a city which has long been home of one of the U.S.’s most famous companies, Eastman Kodak, whose future –– and perhaps the future of film ––  is now in question.  We’re tentatively calling the project, “Memory City: Rochester in 36 Exposures,” and we’ll see where our creative journey leads us.

For those of you who’d like to follow our Rochester project on the blog, we’d greatly appreciate your comments and suggestions and support, which you can post in the comments section at the end of this column. We will also post photographs occasionally on the House of Pictures tumblr site, which is also a good place to see some of the work of the other Magnum photographers involved with the project: Martin Parr, Alec Soth, Susan Meiselas, Paolo Pellegrin, Bruce Gilden, Donovan Wylie, Alessandra Sanguinettii, Larry Towell, and Jim Goldberg, with Chien-Chi Chang documenting the project with a video camera.––Alex Webb

UPCOMING EVENTS: APRIL, MAY & JUNE

NEW YORK

––THURSDAY, MAY 24, NEW YORK, NY: My Dakota book launch at ICP, May 24″ href=”http://www.icp.org/events/2012/may/24/book-signing-rebecca-webb-norriss-my-dakota” target=”_blank”>My Dakota book launch, party and book signing at ICP (43d and Sixth Ave), 6-7:30.

ROCHESTER, MILAN AND BOLOGNA

––THURSDAY, APRIL 26TH, ROCHESTER, NY: “Together & Apart: The Photographs of Alex Webb and Rebecca Norris Webb, Webb Auditorium, RIT, 8pm; free and open to the public.

––SATURDAY, APRIL 28TH, ROCHESTER, NY:  “House of Pictures” slide talk at GEH at 2pm

––FRIDAY, MAY 4, MILAN, ITALY: “Together and Apart: Photographs of Alex Webb and Rebecca Norris Webb,” at Forma, which will simultaneously have Alex’s The Suffering of Light exhibition in the gallery (Invitation only, but former students, friends, member of the Two Looks online community, and press are welcome.  Space is limited, so please contact Alex and Rebecca to reserve one of the limited seats: webbnorriswebb@gmail.com

––SATURDAY, MAY 5TH, MILAN, ITALY:  Two book launches, featuring the work of Alex Webb and Rebecca Norris Webb at the MIA photography festival, 8 pm

––MONDAY, MAY 7, BOLOGNA, ITALY: “Together & Apart: Photographs of Alex Webb and Rebecca Norris Webb. 5 pm

RAPID CITY, SD

––FRIDAY, JUNE 1, RAPID CITY, SOUTH DAKOTA: “My Dakota” exhibition opening and book party, Dahl Arts Center, 6-8pm.  The exhibition will run until October 13, 2012.

––SATURDAY, JUNE 9,  AT LOOK3 PHOTOGRAPHY FESTIVAL, CHARLOTTESVILLE:

4-6pm Alex Webb in conversation with noted writer and cultural critic Geoff Dyer

6-7pm: Book signing with Alex Webb and Rebecca Norris Webb at the Second Street Gallery

LAST CHANCE: Four Exhibitions

January 13, 2012

Alex Webb, Sancti Spiritus, Cuba, 1993, from MFA, Boston, exhibition, "Violet Isle" (with Rebecca Norris Webb) and Aperture's "The Suffering of Light" exhibition

––Alex Webb, “The Suffering of Light,”Aperture, New York, through January 19, 2012

––Alex Webb and Rebecca Norris Webb, “Violet Isle: A Photographic Portrait of Cuba,”MFA, Boston, through Jan. 16, 2012

––Alex Webb, “The Suffering of Light,” @  Stephen Bulger Gallery, Toronto, through Jan. 14, 2012

––Rebecca Norris Webb and other artists, “Winged Shadows: Life Among Birds,” NDMOA, Grand Forks, ND, through Jan. 15, 2012

NEW REVIEWS/ARTICLES

“On Marrying a Photographer,” on Alec Soth’s blog, Little Brown Mushroom, with comments by several photographers and others, including Martin Parr, Alec Soth, Rachel Cartee Soth, Greta Pratt, Zoe Strauss, Alex Webb, and Rebecca Norris Webb.

–”The Suffering of Light” exhibition @ Aperture reviewed in the Village Voice.

–”The Suffering of Light” exhibition reviewed on DLK blog.

––”As Far As an Outsider Can Go,” in the New York Photo Review.

UPCOMING WORKSHOPS WITH ALEX AND REBECCA

“Teaching taught me how little I knew and it forced me to think.  I had to teach to get an education.” –––Harry Callahan, from “Harry Callahan @ 100″ at the National Gallery of Art

– PHOTOGRAPHY MASTERCLASS @ THE NATIONAL MUSEUM OF SINGAPORE, Friday evening, March 9, 2012, thru Saturday, March 11, 2012.  An intensive weekend workshop with the Webbs and Radius Books creative director and noted book designer, David Chickey, with an emphasis on the process of intuitive editing and bookmaking, following the process of how long-term projects can develop into books and exhibitions . APPLICATIONS ARE NOW OPEN. TO LEARN MORE ABOUT THIS WORKSHOP, VISIT THE MAGNUM WEBSITE.  Or, for those on Facebook, please visit the PHOTOGRAPHIC MASTERCLASS AT THE NATIONAL MUSEUM OF SINGAGPORE page. The National Museum of Singapore is a venue partner of the Photography Masterclass.

–WEEKEND WORKSHOP @ APERTURE, NY, Friday evening, March 23, thru Sat., March 25, 2012. Do you know where you’re going next with your photography –– or where it’s taking you?   An intensive weekend workshop with Alex and Rebecca. Check the Aperture  blog for workshop details, such as fee, how to make payment, etc.  Before the Aperture site is live to take workshop applications and  fees online — WHICH WILL HAPPEN EARLY FEBRUARY — you can reserve a space by emailing Anne Lewis of Aperture –– alewis@aperture.org   There is a discount for students and Aperture patrons.

––WEEKEND WORKSHOP IN MILANO @ FORMA; Friday evening, May 4, thru Sunday, May 6th, 2012.  An intensive weekend workshop @ Forma with the Webbs during Alex’s upcoming spring exhibition there, “The Suffering of Light.” Included in the workshop will be a gallery talk by Alex as well as a copy of Alex’s recent survey book of 30 years of his color photographs, “La Sofferenza della Luce,” (Contrasto).  The workshop will be taught in English with Italian translation.  For more information here’s the link.

–FINDING YOUR VISION WORKSHOP @ CAPTION GALLERY, BROOKLYN, NY.  Sunday May 20 thru Friday May 25, 2012.* A week-long photographing and editing workshop where each photographers begins to explore his or her own way of photographing and how to edit intuitively.  Will include exercises, light room tutorials, and a presentation by a noted book editor. APPLICATIONS ARE NOW OPEN.  Early acceptance notification will start on February 29, 2012.  Check the workshop page of the webbnorriswebb website for fees, application process and further details.

*If there is enough interest, we will explore offering a second session of the Finding Your Vision Workshop @ Caption Gallery the week before —  Sunday May 13 thru Friday May 18, 2012.

Rebecca Norris Webb, Havana, 2008, from "Violet Isle" (with Alex Webb) at the MFA, Boston, and "Winged Shadows," at NDMOA, Grand Forks, N.D.

NEW BOOK: Book Launch @ Aperture, June 1st

May 30, 2011

Alex Webb, cover of "The Suffering of Light" (Aperture), with an essay by Geoff Dyer

 

Please join us to celebrate the launch of Alex’s new book, The Suffering of Light, at Aperture at 6:30pm, which will include a conversation with photographer and critic Max Kozloff and a booksigning afterwards. (To take a look inside Alex’s new book, follow this link to the PhotoEye site.) And here’s a link to a portfolio of Alex’s work from the new book on the La Lettre site, courtesy of the Robert Klein Gallery in Boston, which will have a joint show of our work on Saturday, September 17th, from 2-4pm.

And below you’ll find a rough, homemade video of our Violet Isle show at the Museum of Fine Arts, Boston, an exhibition mentioned in The New York Times on Sunday and reviewed in The Boston Globe on Tuesday, May 31st.   For those who are part of the “Two Looks” online community, please let us know if you get a chance to see Violet Isle at the MFA, Boston, which will be up until January 16, 2012.

By the way, if you visit the MFA by June 16th, be sure and stop by and see the photography show, “Conversations: Photography from the Bank of America Collection,” which includes work by such noted photographers as Lee Friedlander, Diane Arbus, Julia Margaret Cameron, Wright Morris, Alec Soth, William Eggleston, Robert Frank, Mitch Epstein, Larry Sultan, Mike Smith, and Helen Levitt.–Rebecca Norris Webb

TWO THANKS: Violet Isle

January 24, 2011

Rebecca Norris Webb, "Violet Isle" cover, Radius Books

We have some good news to share:  VIOLET ISLE was selected as one of the “Best Books of 2010″ on the Photo-Eye website by independent curator/photography blogger, Elizabeth Avedon.  We’re pleased and honored to be included among such photographers as Alec Soth, Martin Parr, Sally Mann, Lee Friedlander, Tim Hetherington, Taryn Simon, Jean Gaumy, Mark Powers, Jason Fulford, Thomas Demand, David Taylor, Alessandra Sanguinetti, Carl De Keyzer, and others.  To read more about the various authors and books, visit the Photo-Eye site. Thanks so much, Elizabeth.

And thanks again to award-winning Cuban poet, Reina Maria Rodriguez, for allowing us to use her wonderful quote below in VIOLET ISLE.  Recently Reina, who lives in Havana (she’s photographed below), received our gift to her — a copy of our book, whose title was inspired by the title poem of one of Reina’s poetry books. –– Alex Webb and Rebecca Norris Webb


fue una ciudad con puerto

donde ya no se ha ido ni ha vuelto nadie más…

–de “Violet Island” por la poeta cubana, Reina María Rodríguez

once it was a city with a port

where now no one else has come or gone…

–from “Violet Island” by Cuban poet, Reina María Rodríguez

WEBB LIBRARY: New Additions

December 13, 2010

In this new column, we’ll occasionally mention some of the books we’ve added to our ever-growing and eclectic library, which is gradually taking over our Brooklyn apartment.  (We were both English majors in college, so we have 100′s of poetry, nonfiction, novels, and photography books.)

We recently added the following four books of photography — Lee Friedlander’s America by Car, Alec Soth’s From Here to There, Jason Eskenasi’s Wonderland, David Taylor’s Working the Line — and one book of poetry: Charles Simic’s Lingering Ghosts.  They are all very different books, reflecting five fascinating and unusual ways of responding to the world and human existence. What they do all share, however,  is a sense of individuality: one cannot imagine anyone else making these books except these particular authors. It’s what both Rebecca and I prize about each of these books.

Trent Bailey’s photograph of the five books on our library’s mantelpiece also shows a detail from an early Patrick Webb painting, as well as an unusual new addition — Phinneas the Pheasant — a specimen of a ring-tailed pheasant, which happens to be the state bird of Rebecca’s home state of South Dakota.  We acquired Phinneas this fall while driving back from the  Black Hills to our Brooklyn neighborhood.–Alex Webb

NEW HONG KONG WORKSHOP ADDED MIDJANUARY:

We’ve added a two-day workshop in Hong Kong next month, in which we’ll feature the first unbound copy of Alex’s upcoming survey book, The Suffering of Light, hot off the press from the printing plant in Hong Kong.  If you’re based in Hong Kong or the area — or have photographic friends that are — please feel free to email them this link to the workshop, which is on the Magnum site.

To read more about this workshop in Chinese, please visit this link.Rebecca Norris Webb

Webb Library, 2010

TRENT’S PICKS: Friedlander at the Whitney

November 14, 2010

TRENT DAVIS BAILEY is a young photographer from Colorado who recently moved to New York.  He recently received a BFA in photography and a BA in art history from the University of Colorado.  Besides photographing and working with us on a variety of projects, he is also currently reviewing exhibitions for Daylight Magazine.  We have each chosen a photograph to accompany Trent’s review of the current Lee Friedlander show at the Whitney, “America By Car,” which is up through November 28th.––Alex Webb and Rebecca Norris Webb

Lee Friedlander, “Alaska, 2007,” represented by Fraenkel Gallery

LEE FRIEDLANDER (b. 1934) has long been recognized for his compound street photographs, which document “social landscapes” through a complex arrangement of reflections, shadows, street signs, and self-portraits. For his latest book and current exhibition, “Lee Friedlander: America by Car,” the photographer went on a decade-long succession of road trips driving on US highways, city streets, country roads, and thoroughfares. In the tradition of other itinerant street photographers, such as Robert Frank and Garry Winogrand, Friedlander’s work examines the expanse of infrastructures and social constructs that pervade the United States. And now, at age 76, Friedlander is still demonstrating his ability to revisit, challenge, and extend his well-established photographic vocabulary.

By photographing through car windows with a Hasselblad Super Wide, Friedlander uses his camera’s foreshortening perspective to methodically construct images that operate as a frame-within-a-frame (often with rear-view mirrors and side-view mirrors acting as additional frames). The photographs focus on the makes, models, and hardware of his rental cars while also considering the environments beyond the cars’ interiors. As consistent with his past work, Friedlander is not at all timid about including himself in these photographs either. Whether it is the flare of his flash or his reflection in a mirror, his presence is felt in every image.

Pictured beyond many of Friedlander’s cars’ windows are especially bleak locales such as dilapidated Rust Belt factories, suburban homes in California, and a car graveyard in Arizona. In this context — when gazing through a rental car window — the visual contrast trades cynicism for wit. And even though each photograph is muddled with information, Friedlander is still able to establish a compositional order. The physical and figurative relationship that coexists between the car interiors and the momentary scenes beyond each window provides a timely, often-satirical commentary on contemporary America.––Trent Davis Bailey

Trent’s review via Daylight Magazine

Lee Friedlander: America By Car
Whitney Museum of American Art, New York, NY
September 4 – November 28,  2010
http://whitney.org/Exhibitions/LeeFriedlander
To see more of Lee Friedlander’s work, visit the Fraenkel Gallery website.


Lee Friedlander, “California, 2008,” represented by Fraenkel Gallery

NEW YORK AND BEYOND: OTHER NOTED PHOTOGRAPHY EXHIBITIONS:

–The Mexican Suitcase: Rediscovered Spanish Civil War negatives by Capa, Chim, and Taro
The International Center of Photography, New York, NY
September 24, 2010 – January 9, 2011
Exhibition: http://www.icp.org/museum/exhibitions/mexican-suitcase

More about the suitcase: http://museum.icp.org/mexican_suitcase/

–From Here to There: Alec Soth’s America
Walker Art Center, Minneapolis, MN
September 12, 2010 – January 2, 2011
http://calendar.walkerart.org/canopy.wac?id=4673

–Henri Cartier-Bresson: The Modern Century
SFMOMA, San Francisco, CA
October 30, 2010 – January 30, 2011
http://www.sfmoma.org/exhibitions/409
.
–Chicago Cabinet: Views from the Street
The Art Institute of Chicago, Chicago, IL
October 16, 2010 – January 16, 2011
http://www.artic.edu/aic/exhibitions/exhibition/Street
 

TWO CITIES: TORONTO and NEW YORK

April 30, 2010

Alex Webb, Gonaives,Haiti, 2000

Hope you can join us on Tuesday, May 4th, at Ryerson University in TORONTO for our joint lecture, “Together and Apart,” which is one of four evening lectures featured during the first week in May at the MAGNUM WORKSHOP at THE CONTACT PHOTO FESTIVAL (Wednesday’s lecture is by Costa Manos, Thursday’s lecture is by Alec Soth, and Friday’s lecture is by Stuart Franklin; all lectures are at 7pm).

For our lecture, Alex will show work from his second book on Haiti (“Under a Grudging Sun”) and work from his seventh book, “Istanbul: City of a Hundred Names,” which Rebecca photo-edited.  Rebecca will show a selection of photographs from her first book, “The Glass Between Us,” as well as images from her work-in-progress in the American West, “My Dakota.”  We’ll also show work from our joint book on Cuba, “Violet Isle.”–Alex Webb and Rebecca Norris Webb

Rebecca Norris Webb, Sheep Mountain, S.D., 2010

NEW YORK: Richard Sandler, Street Photographer and Filmmaker

If you’re in New York the first week in May, consider joining RICHARD SANDLER at the opening reception of his exhibition, “THE FORMER NEW YORK: Photographs from the 1980′s.” The reception is at the Millennium Film Workshop from 6-8pm on Thursday, May 6th, at 66 E. 4th St. (between 1st and 2nd Ave.) in the East Village.  Afterwards, there will be a free screening of Richard’s documentary film about the East Village, “Brave New York.”

Below is what Richard, an insightful and funny street photographer and filmmaker and one of my first teachers at ICP, has to say about “The Former New York” photographs.–Rebecca Norris Webb

Richard Sandler, "CC train," 1985

“The photographs in this show were made between 20 and 30 years ago and they depict a time that lives in limbo: they are too young to be the historical records of the fuzzy past, and way too old to resemble contemporary culture, now moving at warp speed. These pictures of the recent past reveal a time just before the proliferation of computers, cell phones, I pods, digital cameras and the internet; there was no way to filter the realities of the broken city, and there was no refuge in virtual space.

For better and for worse one was simply  ‘on the street,’ in public space, bathing in the comforts, (or terrors), of the human sea. In the New York subways, graffiti tags and spray painting exploded onto every surface and whole subway cars were ‘bombed,’ windows and all. Above and below ground, crime and crack were on the rise, rents were still cheap, Times Square and the East Village were drug riddled, while in mid-town the rich wore furs in unprecedented numbers, Ronald Reagan was president, ‘greed was good,’ and Y2K hysteria was approaching.

To some, the New York City of the recent past was a hell on Earth, yet to others it was one of New York’s most fertile artistic periods. I suggest that the meanings and motives of this period are not yet clear enough to articulate, and I offer these photographs as the marbled evidence of beauty mixing with decay, and as questions about city life itself. ” –Richard Sandler


Follow

Get every new post delivered to your Inbox.

Join 265 other followers