INTERVIEW: David Alan Harvey’s 7 Questions

This is an excerpt from today’s interview with us conducted by David Alan Harvey of Burn Magazine: http://www.burnmagazine.org/

DAH: Both of you have heretofore been solo artists. What sacrifices did you make and/or what benefits are there to a collaboration?

AW: From my perspective, the sacrifices were not great. Early on working in Cuba, I envisioned doing my own book, but I also wanted to do something different  –– something unlike any of my past books, as well as something different from any of the many past photographic books on Cuba. When Rebecca and I hit upon the notion of combining our work, this resolved these concerns of mine. I also found it very exciting to weave our two different bodies of work together to create a different kind of portrait of the island. In fact, I am more excited about this book than any other book of mine since Hot Light/Half-Made Worlds, my first book, which came out in 1986.

RNW:  I was initially concerned that my fascination with Cuba was taking valuable time away from a project that I had always thought would be my second book, My Dakota, a project that had started out as an exploration of my relationship with the West––and specifically my home state of South Dakota––and ended up also becoming an elegy for my brother, Dave.  Now, I realize that bringing out the Cuba book before My Dakota was the right decision.  I needed more time and distance from my brother’s death to absorb and distill and let go of My Dakota.

And, David, you also asked about the benefits of doing Violet Isle with Alex….  Well, for one thing, it’s awfully nice having only half as many interview questions to answer.

Next Monday, our blog posting will be: “TWO LOOKS: Charles Harbutt and Joan Liftin”

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One Response to “INTERVIEW: David Alan Harvey’s 7 Questions”

  1. John Masters Says:

    I enjoyed reading Alex’s feelings on obsessions, or perhaps the aspects, that make me the type of human I am/wish to be. My own study of history, a family background in literature, and a love for travel are three important and inseparable influences that help to inform my eye and direct my feet. That being said, I search for humility, for that’s where I find my best teachers.

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